About Composition

The composition is the arrangement of elements in a painting.

Products related to Composition

The Sacred Composition of Colors in Tibetan  Art

The Sacred Composition of Colors in Tibetan  Art

The painter's palette consisted mainly of paints derived from the mineral . also made some of their paints by mixing the pigments with organic dyes and lakes such as indigo and lac dye. Important of this type included the blending of each of these two dyes with white. But since the dyes and lakes were mainly used during the and outlining stages that followed the initial application of .

The Magic of Composition in Tibetan paintings

By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the patron provided .
Phurba Gallery

The Tantric Phurba – A protective ritual dagger

The is a dagger used in practices. It is used to protect against negative energies and to promote positive change. The phurba is not to be used for or harm, and should only be used for ritual purposes. It is a powerful for protection and should be used with care and respect. Origin of Phurba in The renowned , who was initiated by the Indian sage Prabhahastin, is said .

Appearances and Identifications of Vajrapani

is one of the earliest and most recognizable characters of . He is known for carrying a  scepter and being a close attendant to the historical according to the . In , Vajrapani is entrusted to safeguard all of the literature and in this regard, he is known as Guhyapati - the Lord of Secrets. Different of Vajrapani Vajrapani manifests in a variety of forms and looks, ranging from placid .

All about Guhyasamaja Tantra

Guhyasamja is one of 's most fascinating, difficult, and essential personalities. It combines various important , into one sculpture. It is predominantly is call Akshobhayavajara which is the form of Akshobhaya buddha. Guhyasamja is the foremost meditational deity of the Method-father class of . Guhyasamaja has two main traditions, the Arya () Lineage, and the Jnana (Jnanapada) Lineage. There are three principal iconographic of Guhyasamaja; Akshobhyavajra (blue), (orange), .

6th Karmapa – Tongwa Donden

The birth of the 6th , Tongwa Donden (1416-1453), at Ngomto Shakyam near Gon in east , was marked by many auspicious signs. One month later, carried by his mother as she went begging, he became highly excited when their path crossed that of Ngompa Chadral, a student of the fifth Karmapa. When Lama Ngompa Chadral asked who he was, the child smiled and replied “I’m the unborn, free from all names, places, and .

The power of all Buddhas – Vajrapani Krodha

Krodha has five according to a lineage. Vajrapani Krodha is known as a wrathful meditational deity. Vajrapani Krodh is representing the power of all . The reverse of the of Krodha Vajrapani is decorated with a drawing of a to represent the of all ones. Each of the figures of human teachers and is mar marked with the three letters, ' ah hum', representing the  .

How singing bowls are made in Nepal?

For many centuries, sound and are used as a that helps to promote and . The is one of the primary instruments for this purpose created by mankind. These are and spiritual made from metals when hit creates thoughtful and heavenly sound. This sound repeats as if the is demonstrating upon one’s beautiful soul. Singing bowl - Sound Healing Singing Bowl is additionally referred to as one among .

A guide on hand-knotted carpets and their types

Hand-knotted were specially made in to celebrate the birth of a girl by her mother. According to Researchers, started crossing the home in April 1959, within the wake of the ’s flight into exile and landed mostly in and . Tibet carpets historically were practical, everyday objects, woven locally to be used in homes and monasteries where they might over wear out and be discarded. There .