About Iconography

Iconography is the study and identification of portraits, along with the subject matter of an artwork.

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Dorje Neljorma

Vajrayogini Dakini – Origin, Lineages and Iconography

is a deity who is also called as Vajravarahi in , or , a tradition in which she is considered the supreme deity more revered than any male . She represents the path leading to female . She is also a , a term that describes a female supernatural being or an accomplished , and is considered the queen of the dakinis. Her name comes from the , , which means “diamond” or “thunderbolt,” .

Worldly Protector Tsangpa Karpo

Karpo is a wrathful of . Tsangpa Karpo was a dynasty that dominated large parts of Tibet from 1565 to 1642. It was the last royal dynasty to rule in its own name. The regime of Tsangpa Karpo was founded by , a low-born retainer of the prince of the Dynasty and governor of Shigatse in Tsang (West-Central Tibet) since 1548. Tsangpa is known as gTsang pa in Tibet. of .

Emanation of Padmasambhava – Dorje Drolo

is a wrathful emanation from the group of Eight Main Manifestations. Dorje Drolo the fierce manifestation of known as Diamond Guts. Dorje Drolo is one of the Eight Manifestations of . He assumed this manifestation in in in order to bring the local deities and guardians under his control. Dorje Dorolo is known as gu ru rDo-rje gro-lod in .  Dorje Dorolo is also known as Guru .

A brief introduction to Black Jambhala featuring Thangka and Statue collections

, Black (: dzam bha la, nag po), a wealthy deity popularized in by Bari and the Kashmiri teacher Shakyashri . is known by in . Kuber is the . Originating in , he appeared from the river's and passed on the ability to generate to a monarch whose realm was experiencing severe financial troubles at the . He also helps the impoverished and those .

All about Applique Thangkas

is Known as göchen in . The Huns of Central were the first to use to decorate saddle blankets. It traveled eastward along the Road, and accepted it as a holy form. Fabric were created in the 15th century utilizing an indigenous applique method. These thangkas, which are lavishly embroidered and appliqued, immediately became popular in Tibet. Because of its excellent materials, durability, suppleness, and potential .
Akshobhya and Shakyamuni Buddha

Akshobhya and Shakyamuni Buddha Comparisons

and are both important figures in . Both are considered to be Buddhas who have achieved and are revered as teachers of the . The main similarity between Buddha and Akshobhya Buddha is that they both represent the same core of Buddhism. They both emphasize the importance of , , and in achieving enlightenment. Upon initial inspection, Shakyamuni Buddha and Akshobhya Buddha may appear to be alike; .

Appearances and Identifications of Vajrapani

is one of the earliest and most recognizable characters of . He is known for carrying a  scepter and being a close attendant to the historical according to the . In , Vajrapani is entrusted to safeguard all of the literature and in this regard, he is known as Guhyapati - the Lord of Secrets. Different of Vajrapani Vajrapani manifests in a variety of forms and looks, ranging from placid .
1st Karmapa Dusum Khyenpa Thangka Painting

1st Karmapa Lama – Dusum Kyenpa

Dusum Khyenpa is known as the 1st . Dusum Khyenpa is the founder of the (Kamtsang) branch of the Tradition. Dusum Khyenpa was born in Kham He served as Abbot of after and founded the . He is becoming the seat of the incarnate Karmapa . Dusum Khyenpa was the founder of the school and of its three main monasteries: Kampo Nenang Gon in 1164, Karma Gon .

Sitatapatra – Goddess of the White Parasol

is known as a protector against supernatural danger in . She is venerated in both the and traditions. She is also known as Sitatapatra. Sitatapatra is a powerful independent deity emanated by from his Usnisa. Sitatapatra is known as   Dug Kar mo in . and Sitatapatra is also known as The , Crown Ornament of the in English. of Sitatapatra Sitatapatra is white in color with 1000 faces, .