Yantra is a mystical diagram, mainly from the Tantric traditions of the Indian religions. They are used for the worship of deities in temples or at home; as an aid in meditation; used for the benefits given by their supposed occult powers based on Hindu astrology and tantric texts.
Goddess Bhuvaneswari holds the fourth position among the Dus Mahavidya’s. The word Bhuvaneshwari is a Sanskrit word which means the queen of the universe. Goddess Bhuvaneshwari is the ruler of the whole universe. She controls and influences the situations as per her wish.
The name of the Mahavidya itself means the ruler of the world and a Sadhak of Bhuvaneshwari is always victorious on all fronts in life and becomes all powerful.
A Sadhak of Bhuvaneshwari .
Goddess Tara holds the second significant position among all the ten, Dus Mahavidyas. The Goddess Tara is the almighty Goddess of Shakti decimates all malevolent, is invulnerable and expels idleness, numbness, and haziness from the lover's life.
The word Tara means ‘star’ and it symbolizes light. Thus, Goddess Tara as ‘light’ is known to guide, carry over, overcome and conquer hurdles for acquiring knowledge, attain powerful speech and acquire the qualities of learning.
Goddess Tara is .
Kamala is the tenth of the ten MahavidyaGoddesses. Goddess Kamala or Kamalatmika is considered the most supreme form of the goddess who is in the fullness of Her graceful aspect.
She is not only compared with Goddess Lakshmi but also considered to be Goddess Lakshmi. She is also known as Tantric Lakshmi. The goddess in the form of Kamala bestows prosperity and wealth, fertility and crops, and good luck. Hence She is Devi of .
A Yantra is usually linked with a particular deity and is used for distinct purposes such as meditation, pujas, tantrism, the attraction of wealth and success. Numbers of geometric shapes and images along with mantras from the Yantra. The central point of almost all yantra is Bindu, a small red dot. The triangles are also important symbols representing Shiva and Shakti. The concentric circle represents the manifestation.
Here's what a great meditation master, Ivan Rados has .
Kundalini yoga is derived from kundalini which is defined in Vedantic culture as the energy that lies dormant at the base of the spine until it is activated and channeled upward through the chakras in the process of spiritual perfection. Kundalini is believed to be power associated with the divine feminine. Kundalini yoga as a school of yoga is influenced by Shaktism and Tantra schools of Hinduism.
It derives its name through a focus on .
This is the thangka of the Tibetan calendar. As both an instructional tool and auspicious talisman the stylized astrological chart brings good fortune to all those who see, display, or possess it. The painting is a congregation of astrological, calendar, and primary element symbols.
The Esse of Protective Talisman
In this portion, we are going to learn about the Esse of Protective Talisman. After that, we will learn about the short etymological description of the word .
Drawing mandalas is fun. When you are trying to create something new relax and think echo of your soul and the surroundings.
Sketching and giving shape to the mandala can be a new experience in your life which can help to explore yourself and find the shapes, colors, and patterns to represent your current state of mind to your most deeply-desired wish for yourself, for a loved one, or for humanity.
You can design a mandala .
The root chakra is also called Muladhara in Sanskrit which is primary energy storage. It is located at the base of the spine in the vicinity of the coccygeal plexus beneath the sacrum. It is associated with your most basic survival needs.
Where is root chakra is located on the body?
Muladhara is located at the base of the spine, the pelvic floor, and the first three vertebrae, the root chakra is responsible for your sense .
By the time the painter sat down to begin the sketch he already had in mind the main contents and design of the thangka. Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted.
Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the painting, such diagrams often having been composed by the lama of the patron.
When the patron provided .