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The Art of cultivating stillness

The Art of cultivating stillness

In Asian and movement practices, stillness is not just the absence of movement, it is seen as a powerful presence that infuses movement with depth and significance. An integral part of the movement It is truly captivating when , Noh actor, bugaku dancers or Balinese dancers pause in their performances because the stillness they exhibit is an integral part of the movement itself. This can be observed in Japanese Noh actors and Sufi dervishes .
Chinese Early Qing Dynasty "Water and Land Ritual" Painting, 17th Century

Buddhist Rituals – A captivating fusion of materiality and spirituality

have long been a subject of fascination and inquiry. They encompass a rich of practices, from and chanting to and ceremonies. Beyond their surface, these are deeply intertwined with materiality, forming a complex and meaningful relationship that merits exploration. On the surface, emphasizes detachment from the material world, yet its rituals employ material objects and sensory experiences to enhance the spiritual journey. This apparent contradiction is a central .

Buddhist monuments and the Kings of Patan

Long ago, Sarvananda of Dipavati invited sages around the country for distributing alms. , a Buddha who reached prior to , was also invited. However, instead of visiting the palace, Dipankara Buddha visited a nearby hut belonging to an old lady. In late 2021, a 1400-year-old stone inscription was discovered in front of the Bhimsen at Durbar. It was kept there by Lichhavi ruler Anshu Verma. The inscription .

Buddhist Stupa – Kadam Chorten

The Kadam Style is distinguished by a simple but top with a parasol and thirteen falling discs. A square balcony-like structure with a round -shaped bottom is placed in the center, all of which is above around double foundation. Kadam are commonly used as reliquaries. Some include only connected , while others contain the ashes of a or other renowned person. They frequently contain numerous kinds of treasure, ranging from .
Hand-Painted Bhavachakra Wheel of Life Tibetan Thangka Art

Bhavachakra: Wheel of Life in Tibetan Art

has also termed of becoming or the . The is the which represents the complex pictures of views of the . Buddhists believe that the existence of the cycle of our life, death, rebirth, and seeks to escape together as a whole. According to , the wheel of life is divided into five or six states or , into which a soul .

The Dalai Lama Lineage through the Himalayan Arts

is the most recent in the huge line of lraders of branch of . He is considered to be an exemplification of or , the of , and thus the defender of . are realized beings inspired by a wish to realize for the advantage of all sentient beings, who have vowed to be reborn within the planet to help humanity. In 1578 the Mongol ruler Altan .

Explaining Buddhist Deity Shristhikantha Avalokiteshvara

Shristhikantha is a meditational form of the Avalokiteshvara. Avalokiteshvara is a bodhisattva originally arose from the tradition of , and later as a tutelary deity of the tradition. Life of Shristhikantha Avalokiteshvara In this section, we are going to learn about the life of Shristhikantha Avalokiteshvara,  after that, the short of Shristhikantha Avalokiteshvara itself. Shristhikantha Avalokiteshvara is the bodhisattva of surrounded by fifteen emanated from his . Shristhikantha Avalokiteshvara .

Fierce Buddhist Deity – Black Hayagriva

Black Hayagriva is the wrathful activity deity of () Family of . Black Hayagriva is a fierce activity deity of the Family. Black Hayagriva is from the Revealed Treasure Tradition of Chowang. Black Hayagriva is known as tam drin in . Black Hayagriva is also known as the Black Horse Necked One in English. of Black Hayagriva In the iconography of Black Hayagriva, we are going to learn about his  .

Describing Buddhist Deity Vajrayogini in the form of Vajravarahi

appearing in the form of Vajravarahi is one of the most popular female deities found in all traditions of . In this guise, she actually has either a single boar's face, or two faces or heads, two or more hands, and legs, red, yellow, or black in color, standing in a dancing posture, or both legs down. Vajravarahi Vajrayogini is accompanied by 24 , Chakrasamvara above, and two monastic figures below. .