The Pandeshwor Mahadev temple is thought to have been established by Pandavas during their exile. There’s also an interesting local legend regarding the Shivalingam inside the temple and Saaj tree attached to the temple.
When we travel through the Dang Valley, which lies between the Mahabharat Range in the north and the Churia Range in the south, we travel back in time, into the exciting ancient tales of gods, goddesses, kings and queens. There .
Another main step is to apply washes for shading and gradual transitions of tone. Shading is called Dang in Tibetan which is one of the special feature of Thangka painting.
Shading is an important feature of thankapainting, taking up a large portion of the time, and is done very carefully and precisely.
Shading in this context does not mean the treatment of light and shadow within the whole composition, for the distribution of light and dark is .
Almost every object depicted in a thangka required outlining or linear detail. Outlining proper (bead) served to set off most objects from their surroundings, and it was used to demarcate the main subdivisions within them. Tibetan painters also used line drawings to develop the form or texture inside a given area, for instance within a swirling mass of flames or within the hair of a deity.
Furthermore, fine linear drawings were the main way of .