Products related to Dang

The Holy Sites and Vibrant Tales in Dang

The Pandeshwor Mahadev is thought to have been established by Pandavas during their exile. There’s also an interesting local legend regarding the inside the temple and Saaj tree attached to the temple. When we travel through the Valley, which lies between the Mahabharat Range in the north and the Churia Range in the south, we travel back in , into the exciting tales of , , and queens. There .

Goddess of Wealth & Abundance – Vasudhara

is named Shiskar Apa in Lahul and Spiti. She is comparable to the in and Tai folk and Bhumidevi and in . She is also known as Goddess of  and Abundance. Who is Vasudhara? Vasudhara (Tib. Norgyunma), the of money, , and abundance, is a of riches, prosperity, and abundance. She is revered in many Buddhist countries and is depicted in and .

Shading, Colouring and Grading of Thangkas and Mandalas

Another main step is to apply washes for and gradual transitions of tone. Shading is called  in which is one of the special feature of . Shading is an important feature of , taking up a large portion of the , and is done very carefully and precisely. Shading in this context does not mean the treatment of light and within the whole , for the distribution of light and dark is .

The Art Of Mastering and outlining of Tibetan Thangkas

Almost every object depicted in a required outlining or linear detail. Outlining proper (bead) served to set off most objects from their surroundings, and it was used to demarcate the main subdivisions within them. also used line to develop the form or texture inside a given area, for instance within a swirling mass of flames or within the hair of a deity. Furthermore, fine linear drawings were the main way of .