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Depicting 5 Forms of Manjushri Thangka

5 forms of Manjushri
Wutaishan Mountain in is considered special for the deity/. According to oral and Chinese literature, it was who first talked about the five different of . 5 forms of are represented on each of the five peaks: central and four directions. The Five Manjushri forms are not depicted in a consistent manner. There are many iconographic differences appearing between the various be they central .

Atiśa Thangka Painting from Mid 12th century

atisa
This of is from the early to mid-12th century and features extensive inscriptions on the reverse side. Atisha was the of in northern , one of the maha that granted the learned degree of Pandita, here indicated by his yellow hat. In 1042, he traveled to at the invitation of the western Yeshe ‘Od to help purify practices there. Atisha’s authority was rooted in .

Nyingma Lineage tree thangka with explanation chart

Nyingma refuge tree - Longchen Nyingtik Lineage
The subject depicted in this is called Guruparampara, a “Line of Teachers.” It depicts the family tree of lineage, as it were, and its function is to indicate a line of descent. The meaning of this presentation is to show a refuge for believers. It creates a kind of structure with a number of deities and teachers in whom devotees take refuge, because they will help believers in the course of their .

36 measurements of Tibetan Buddhism figures

This 18th-century essay drawing is similar in content to the photographic measurements. The so-called “image measurement” is the scale of the ’s human and the scale of the figure. This may be a reference guide for the of Buddha statues in or in the 18th century. It contains 36 detailed and the text is in . The representation of the figure is not fabricated out of thin . .

How to draw a Mandala?

Drawing is fun. When you are trying to create something new relax and think echo of your soul and the surroundings. and giving shape to the can be a new experience in your life which can help to explore yourself and find the , colors, and patterns to represent your current state of to your most deeply-desired wish for yourself, for a loved one, or for humanity. You can  .

Depicting the Pehar Gyalpo with 3 Geluk Masters

Pehar Gyelpo
According to myth, Gyalpo Pehar ( : རྒྱལ་པོ་དཔེ་ཧར ) is a spirit belonging to the gyalpo class. When arrived in in the eighth century, he subdued all and put them under control of Gyalpo Pehar, who promised not to harm any sentient beings and was made the chief guardian spirit of during the reign of Trisong Deutsen. The protector deity is depicted with three Geluk .

Way to Heaven – meaning and symbolism

The way to Heaven is also known as a way to . Way to heaven gives deeply symbolic meaning and explanation of the path to . in way of heaven The way to heaven consists of different symbols which have different meanings. This of the development of mental tranquility is often painted on walls. This mnemonic diagram depicts the nine progressive stages of mental development, which are obtained through the six .

Depicting the Painting of Machik Labdron and Chod Refuge

Machik Labdron and Chod Refuge
This is mid-20th-century of Machik Labdron and the Chod refuge field displaying teachers and deities. Painting Chart N°1  Asaṅga was “one of the most important spiritual figures” of and the “founder of the Yogacara school”. Traditionally, he and his half-brother are regarded as the major classical Indian exponents of Mahayana , Vijñanavada (awareness only) thought and Mahayana on path. N°2 The lineage of .

Determining the Quality of Tibetan Thangkas

There are three general skill levels of painters are hobbyist, professionals, and .  You can find out  the skill of the by looking closely at the lines, such as those used to make waves, clouds, and the faces of people, , , and . The finer and clearer the lines, the greater the skill involved. A thangka painted by a master will cost more than one painted by a professional. The student .

Depicting the Painting of Shakyamuni with Geluk Masters

Shakyamuni with Geluk Masters
This 18th-century depicts with primordial , and , and Geluk . Painting Chart N°1 Maitreya Maitreya is regarded as a future Buddha of this world in eschatology. In some Buddhist literature, such as the and Sutra, he is referred to as Ajita. According to Buddhist tradition, Maitreya is a bodhisattva who will appear on in the future, achieve complete , .
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