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Namkhai Nyingpo Thangka Painting from 19th century

19th century Painting of Namkhai Nyingpo 

'i Nyingpo one of the twenty-five disciples of , is depicted with long-life implements. Other details of this nineteenth-century from Kham suggest from 's story of and Dorje Tso. Namkhai Nyingpo is performing a long-life ritual in this . He holds upraised in the right hand an arrow of and a scepter. In the left hand, a is held close to the heart. In the sky above, at the .

Tibetan Mandala tantric practices & benefits

practices are used to cultivate and generate energy, and to bring about transformation and . Tibetan Mandala as a can be created with a variety of materials commonly including sand, paint or fabric (appliqué). According to the Tibetan the mandala is a tool for working with the energies of the cosmos including : the bodythe mindthe In other words, the mandala can help control inner by accessing and channeling .
A Thai Dhamma wheel at Wat Phothivihan, Tumpat, Kelantan

Buddhist symbolism – From representation to auspiciousness

is the use of to represent certain aspects of the Buddha's (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree. Anthropomorphic symbolism depicting the Buddha (as well as other figures) became very popular around the first century CE with the arts of Mathura and the Greco-Buddhist art of Gandhara. New symbols continued to develop into the medieval period, .
13th century copy of the Taima Mandala. Japan, Kamakura period.

Buddhist art – The devotional artistic practices

Buddhist is the artistic practices that are influenced by Buddhism. It includes art media which depict Buddhas, bodhisattvas, and other entities, notable Buddhist figures, both historical and mythical, narrative scenes from the lives of all of these, and other graphic aids to practice, as well as physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated on the Indian subcontinent following the historical life .
Maruyama Ōkyo by Tsukioka Yoshitoshi.

Buddhist artists – The creative Buddha Mind

During the Pre-iconic phase (5th–1st century BCE) artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so (even in narrative scenes where other human figures would appear). This tendency remained as late as the 2nd century CE in the southern parts of India, in the of the Amaravati School. In Tibet the vast majority of surviving artworks created before the mid-20th century are dedicated to the depiction .

All you need to know about Thangkas

A , variously spelt as thangka, tangka, thanka, or tanka, is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, .
Over life-size figure of the bodhisattva Padmapani, cave 1, Ajanta Caves, 5th century

Different types of Buddhist paintings

Buddhist originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. are visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, , and .
Dombi Heruka or Dombipa was one of the eighty-four mahasiddhas and student of Virupa. He is usually depicted riding a tiger and holding a snake.

Mahasiddhas – The Siddhi of perfection

is a term for someone who embodies and cultivates the "siddhi of perfection". A siddha is an individual who, through the practice of sādhanā, attains the realization of siddhis, psychic and spiritual abilities and powers. Mahasiddhas were practitioners of yoga and tantra, or tantrikas. The Mahasiddhas are the founders of Vajrayana traditions and lineages such as Dzogchen and Mahamudra. There is a symbiotic relationship between Tantric Buddhist communities and the Buddhist monastic university such as Nalanda .
Greek scroll supported by Indian Yaksas, Amaravati, 3rd century AD

Indian Buddhist sculptures – The sculptural art of enlightenment

Buddhist sculptures originated in the north of the Indian subcontinent with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. In India, Buddhist sculptures flourished and co-developed with Hindu and Jain sculptures, with cave temple complexes built together, each likely influencing the other. Although India had a long sculptural tradition and a mastery of rich iconography, the Buddha was never represented in human .
Ubosot of Wat Nimmanoradi, Bangkok

Buddhist art & architecture in Thailand

is the and architecture of Buddhist temples in Thailand. Temples are known as wats, from the Pāḷi vāṭa, meaning "enclosure." A temple has an enclosing wall that divides it from the secular world. Wat architecture adheres to consistent principles. A wat, with few exceptions, consists of two parts: the Phutthawat and the Sangkhawat. Thai Theravada Buddhism and Hindu cultures merged, and Hindu elements were introduced into Thai iconography. Popular figures .