About Dulduityn Danzanravjaa

Dulduityn Danzanravjaa was a prominent Mongolian writer, composer, painter, Buddhist scholar, physician and was the Fifth Noyon Khutagt, the Lama of the Gobi. His name is a Mongolian adaptation of the last part of the Tibetan name Lobsang Tenzin Rabgye given to Danzan Ravjaa by the 4th Bogd Gegeen, on his visit to the Mongolian capital, Urga in 1812 where Danzanravjaa was also recognized as an Incarnate Lama. There are several versions concerning the origins and use of "Dulduityn". He was the 5th incarnation of the Gobi Noyon Hutagt, which is the title of a prominent line of tulkus of the Nyingmapa lineage of Tibetan Buddhism in Mongolia and was found by the personal attendant of the 4th Noyon Hutagt in 1809. It was not possible to enthrone Danzan Ravjaa as the 5th Noyon Hutagt because of the ban from the ruling Manchu (Qing) Dynasty on recognition of this line of incarnations. Mongolia at the time was under Manchurian Qing control. He was enthroned as the Avshaa Gegeen in Ongiin Gol Monastery by Ishdonilhudev Rinpoche. He is primarily famous for his poetry, but is also known for his prophecies, and treatises on medicine, philosophy, and astrology.
Pema Lingpa's Visionary Journey to the Copper-Colored Mountain

The Tulku system & the preservation of Dharma lineages

A is a reincarnate custodian of a specific lineage of teachings in Tibetan Buddhism who is given empowerments and trained from a young age by students of his or her predecessor. Historically, the tulku system of preserving Dharma lineages operated in Tibet with the first being the . After the first Karmapa died in 1193, a lama had recurrent visions of a particular child as his rebirth. This child (born ca. 1205) was recognized as .
Maruyama Ōkyo by Tsukioka Yoshitoshi.

Buddhist artists – The creative Buddha Mind

During the Pre-iconic phase (5th–1st century BCE) artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so (even in narrative scenes where other human figures would appear). This tendency remained as late as the 2nd century CE in the southern parts of India, in the of the Amaravati School. In Tibet the vast majority of surviving artworks created before the mid-20th century are dedicated to the depiction .
Tsongkhapa Lobsang Drakpa

Well-known Lamas in Tibetan Buddhism

is a title for a teacher of the Dharma in Tibetan Buddhism. The name is similar to the Sanskrit term guru, meaning "heavy one", endowed with qualities the student will eventually embody. The Tibetan word "Lama" means "highest principle", and less literally "highest mother" or "highest parent" to show close relationship between teacher and student. This is a list of some well-known Lamas in Tibetan .