About Chögyam Trungpa

Chögyam Trungpa was a Buddhist meditation master and holder of both the Kagyu and Nyingma lineages, the eleventh Trungpa tülku, a tertön, supreme abbot of the Surmang monasteries, scholar, teacher, poet, artist, and originator of a radical re-presentation of Shambhala vision.

Akong Tulku Rinpoche

Choje Akong was a unique figure in the recent .  Along with Chogyam Trungpa, he founded in Scotland, the first in the West.  When left for America it was who oversaw the of the and monastic complex at which has grown into one of the foremost Centres of and practice in Europe. Early Life of Akong .
Nyingma Tree Lineage Thangka with Guru Rinpoche and Yeshe Tsogyal in center

Termas & Tertöns – Padmasambhava & Yeshe Tsogyal’s succession

is a term within Tibetan Buddhism meaning a person who is a discoverer of ancient hidden texts or terma. Origin of the Tertöns Many tertöns are considered to be incarnations of the twenty five main disciples of Padmasambhava (Guru ), who foresaw a dark time in Tibet. Padmasambhava and his consort Yeshe Tsogyal hid teachings to be found in the future to benefit beings. According to generally accepted history, the rediscovering of terma began with the first .
Eight Manifestations Of Guru Rinpoche

Nyingma Lamas – The decentralized network of practitioners

Nyingma traditional histories consider their teachings to trace back to the first Buddha Samantabhadra (Güntu Sangpo) and Indian mahasiddhas such as Garab Dorjé, Śrī Siṃha and Jñānasūtra. Traditional sources trace the origin of the Nyingma order in Tibet to figures associated with the initial introduction of Buddhism in the 8th century, such as , Yeshe Tsogyal, , , Buddhaguhya and Shantaraksita. Nyingma teachings are also known for having been passed down through networks of lay practitioners .
Maruyama Ōkyo by Tsukioka Yoshitoshi.

Buddhist artists – The creative Buddha Mind

During the Pre-iconic phase (5th–1st century BCE) artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so (even in narrative scenes where other human figures would appear). This tendency remained as late as the 2nd century CE in the southern parts of India, in the of the Amaravati School. In Tibet the vast majority of surviving artworks created before the mid-20th century are dedicated to the depiction .
Jakar tshechu, Guru Rinpoche thongdrel with the Guru, his two wives and eight manifestations

List of Tibetan Rinpoches

, also spelled Rimboche and Rinboku, is an honorific term used in the Tibetan language. It literally means "precious one", and may refer to a person, place, or thing—like the words "gem" or "jewel". The word consists of rin (value), po (nominalizing suffix) and chen (big). The word is used in the context of Tibetan Buddhism as a way of showing respect when addressing those recognized as reincarnated, older, respected, notable, learned and/or an accomplished Lamas .