About Lion Capital of Ashoka

The Lion Capital of Ashoka is a sculpture of four Asiatic lions standing back to back, on an elaborate base that includes other animals. A graphic representation of it was adopted as the official Emblem of India in 1950. It was originally placed on the top of the Ashoka pillar by the Emperor Ashoka, in about 250 BCE during his rule over the Maurya Empire. The pillar, sometimes called the Aśoka Column, is still in its original location, but the Lion Capital is now in the Sarnath Museum, in the state of Uttar Pradesh, India. Standing 2.15 metres high including the base, it is more elaborate than the other very similar surviving capitals of the pillars of Ashoka bearing the Edicts of Ashoka that were placed throughout India several of which feature single animals at the top; one other damaged group of four lions survives, at Sanchi.
A Thai Dhamma wheel at Wat Phothivihan, Tumpat, Kelantan

Buddhist symbolism – From representation to auspiciousness

26
Jul
2022
Dharma, Mandala, Symbols, Thangka
is the use of to represent certain aspects of the Buddha's (teaching). Early Buddhist symbols which remain important today include the Dharma wheel, the Indian lotus, the three jewels and the Bodhi tree. Anthropomorphic symbolism depicting the Buddha (as well as other figures) became very popular around the first century CE with the arts of Mathura and the Greco-Buddhist art of Gandhara. New symbols continued to develop into the medieval period, .
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Greek scroll supported by Indian Yaksas, Amaravati, 3rd century AD

Indian Buddhist sculptures – The sculptural art of enlightenment

12
Jul
2022
Art, Himalayan Art, Monuments
Buddhist sculptures originated in the north of the Indian subcontinent with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. In India, Buddhist sculptures flourished and co-developed with Hindu and Jain sculptures, with cave temple complexes built together, each likely influencing the other. Although India had a long sculptural tradition and a mastery of rich iconography, the Buddha was never represented in human .
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