About Formation

The formation is the action of forming or process of being formed.

Gokarneshwar – A sacred site on the bank of the Bagmati River

The Bagmati River is a of to . A holy dip in the Bagmati river is said to free people from all the sins they have committed in this lifetime. There are numerous legends surrounding the of the river and the creation of on its banks. Along with the great , Gokarneshwar, also known as Gokarna is one of the holiest places located on the banks of river .

The Sheshnaryan Temple & Rigzin Drubte Ghatshal Monastery

In the same complex, close to the the Sheshnarayan is the oldest in , Rigzin Drubte Ghatshal Monastery. It is a great example of and cultural pluralism in . A , a and a prophetic vision Lord is one of the principal deities of . He is part of the holy that consists of three , the creator, , the god of destruction and Vishnu who is responsible .

The Legend of Manjushree and the Mystical Paleo Kathmandu Lake

meaning “gentle glory” is often perceived as a divine being who brought order to the valley when it was a Paleo Kathmandu Lake, by cutting down the Chobhar gorge, draining out the and making the land suitable for life. Even more intriguing is the way he did it, by using a supernatural armament, a sword of godly might, cutting the valley into two. On the historical side of affairs, there are .

Appearances and Identifications of Vajrapani

is one of the earliest and most recognizable characters of . He is known for carrying a  scepter and being a close attendant to the historical according to the . In , Vajrapani is entrusted to safeguard all of the literature and in this regard, he is known as Guhyapati - the Lord of Secrets. Different of Vajrapani Vajrapani manifests in a variety of forms and looks, ranging from placid .
angaja arhat

Interpreting Buddhist Arhat Angaja

Angaja is the elder of 16 . He is known as Angiraja. In , he is called as Angaja, or Angiraja. ཡན་ལག་འབྱུང་, Yenlak Jung or Yenlak Kyé; Wyl. yan lag ‘byung, or yan lag skyes in . He is one of the arhats among the Sixteen Arhats. The Life of Angaja In this segment, we are going to learn about the life of Angaja. As a householder, Angiraja was immensely wealthy and gave away all his seven , but he realized .

Interpreting of Wheel of Life

is a symbolic representation of cyclic existence found on the outside walls of and monasteries in the Indo- region. This pictorial presents basic concepts such as and rebirth in a manner that can be understood by uneducated or illiterate people. Alternate translations for include the Buddhist , wheel of cyclic existence, wheel of becoming, etc. The Viability of of life In this .

Explaining Buddhist Elder Abheda

Abheda is known as the 16th from the set of 16 great arhats, principal students of the . The Entity of Abheda In this portion, we are going to learn about the entity of Abheda. After that, we will learn the short etymological description of the word Abheda itself. Etymology of Abheda Abheda is known as Ne ten, mi che pa in . And the meaning of Abheda is Sthavira Abheda in . Earlier, we learn about .

Explaining Buddhist Elder Vanavasin

Vanavasin the Elder is the 3rd from the set of 16 great arhats. Vanavasin is also known as presides over the Seven Leaves Mountain with four hundred disciples. The life of the Vanavasin In this section, we are going to learn about the life of Vanavasin. And after, we will learn about the short etymological description of the word Vanavasin itself. Etymology of Vanavasin Vanavasin is known as Pag pa Ne ten, nag la Ne in . .

Tibetan medicine – Elements, Energies, and Diagnosis

is a science, , and that provides a holistic approach to care. It is a science because its principles are enumerated in a systematic and logical framework based on an understanding of the and its relationship to the environment. It is an art because it uses diagnostic based on the creativity, insight, subtlety, and of the medical practitioner. And it is a philosophy because it embraces the key .

Top 10 Composition of Pigments in the Tibetan paintings

The application of colour to the involved two main steps first, filling in the areas of different base colours, and second, the subsequent and outlining of those areas. To these steps there corresponded the two essentially different types of paint in the palette Mineral (rdo tshon and sa tshon) and The organic dyes or lakes (tshos) The mineral pigments had to be mixed with a before being applied as paints. .