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Sketching – The power of Tibetan paintings

15
Dec
2018
Design, Dharma, Symbols, Thangka, Tibetan paintings
is the major in creating the . Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the around which the would plan the rest of the . The vertical axis usually marked the center of the , and it was in relation to this line that all .
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Final Touch and Finishing Details In a Traditional Thangka Paintings

14
Dec
2018
Culture, Design, Dharma, Thangka, Tibetan paintings
Facial Features The last main step involving the application of colours was the rendering of the faces of the . This was in effect the final stage of outlining, and sometimes a painter would step in at this point and complete the of his student. Of all the finishing details, the facial features demanded the most attention, and among these it was the eyes that received the greatest care. The painting of the .
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The Magic of Composition in Tibetan paintings

3
Dec
2018
Culture, Design, Dharma, Thangka
By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the patron provided .
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