About Gim Jeong-hui

Gim Jeong-hui, also known as Kim Jeong-hui, was one of the most celebrated practitioners of calligraphy, epigraphists, and scholars of Korea’s later Joseon period. He was a member of the Gyeongju Gim clan. He used various Ho (pen-names): Wandang (阮堂), Chusa (秋史), Yedang (禮堂), Siam (詩庵), Gwapa (果坡), Nogwa (老果) etc.. He is especially celebrated for having transformed Korean epigraphy and for having created the “Chusa-che” inspired by his study of ancient Korean and Chinese epitaphs. His ink paintings, especially of orchids, are equally admired.
Maruyama Ōkyo by Tsukioka Yoshitoshi.

Buddhist artists – The creative Buddha Mind

During the Pre-iconic phase (5th–1st century BCE) artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so (even in narrative scenes where other human figures would appear). This tendency remained as late as the 2nd century CE in the southern parts of India, in the of the Amaravati School. In Tibet the vast majority of surviving artworks created before the mid-20th century are dedicated to the depiction .