About Zhang Han (Ming dynasty)

Zhang Han, courtesy name Ziwen (子文), art name Yuanzhou (元洲), was a leading scholar-official during the Ming dynasty (1368–1644) of China. Although eventually posted to serve in the capital at Beijing, Zhang was a native of the thriving commercial city of Hangzhou and a descendant of a wealthy family that ran a textile business. He was also a literary author, a painter, a follower of Chinese Buddhism, and an essayist while in retirement from office during his later years. According to the historian Timothy Brook, he was a "close observer of the changes of his age", in reference to China's intensified commercialism and consumption of commodities in the late Ming era and its effects upon Chinese culture.
Maruyama Ōkyo by Tsukioka Yoshitoshi.

Buddhist artists – The creative Buddha Mind

During the Pre-iconic phase (5th–1st century BCE) artists were reluctant to depict the Buddha anthropomorphically, and developed sophisticated aniconic symbols to avoid doing so (even in narrative scenes where other human figures would appear). This tendency remained as late as the 2nd century CE in the southern parts of India, in the of the Amaravati School. In Tibet the vast majority of surviving artworks created before the mid-20th century are dedicated to the depiction .