36 measurements of Tibetan Buddhism figures

This 18th-century essay drawing is similar in content to the photographic measurements. The so-called "image measurement" is the scale of the 's human and the scale of the figure. This may be a reference guide for the of Buddha statues in or in the 18th century. It contains 36 detailed and the text is in . The representation of the figure is not fabricated out of thin . The proportions, .

Sketching – The power of Tibetan paintings

is the major in creating the . Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the around which the would plan the rest of the . The vertical axis usually marked the center of the , and it was in relation to this line that all .
Preparation and Application in Tibetan Art

Techiques of Paint Preparation and Application in Tibetan Art

After cleaning the pigment it had only to be mixed with the to become paint. For blending a pigment and binder you can simply mix it. Paint preparation can take a full day to prepare the five primary colors. Traditionally, the materials included a variety of mineral and vegetable substances minerals, precious stones, bark, leaves, flowers (especially the rock rose), gold, silver, copper, etc. Each had to be collected from its source in different areas of .