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What is the techniques of making the Mandala??

Tsongkhapa and the Gelugpa Refuge Tree Thangka in Process #59747

Gold Mandala #58046

Manjushree Thangka in process #54345

OM Namah Shivaya Mandala with Trishul in center in process #48854

Appearances and Identifications of Vajrapani

is one of the earliest and most recognizable characters of . He is known for carrying a  scepter and being a close attendant to the historical according to the Mahayana . In , Vajrapani is entrusted to safeguard all of the literature and in this regard, he is known as Guhyapati – the Lord of Secrets. Different of Vajrapani Vajrapani manifests in a variety of forms and looks, ranging .
Guhyasamāja Thangka

All about Guhyasamaja Tantra

Guhyasamja is one of ’s most fascinating, difficult, and essential personalities. It combines various important , into one sculpture. It is predominantly is call Akshobhayavajara which is the form of Akshobhaya buddha. Guhyasamja is the foremost meditational deity of the Method-father class of . Guhyasamaja has two main traditions, the Arya () Lineage, and the (Jnanapada) Lineage. There are three principal iconographic of Guhyasamaja; Akshobhyavajra (blue), (orange), and .

King of the South – Virudhaka

Virudhaka is a major deity in . Virudhaka is a symbol of and progress. Virudhara is the ruler of the wind. His sword is to protect and also to symbolize power over . Virudhaka is the Guardian of the Southern Direction. Virudhaka, leader of the , is a worldly guardian worshipped as a protector. He lives on the south side of the lower slopes of in the Heaven of the .

Deity and Divinities of Nyingma Tradition

Tradition is the old school of is the name given to the followers of those original translations of the of the into . The Nyingma teachings are divided into the Long Transmission (Tib. ring gyü) of the and the Short Transmission (Tib. nyé gyü) of Terma; other teachings were received by directly in Pure Visions (Tib. dak nang) from deities or , in experiences or in dreams. .
Shakyamuni buddha Thangka

Shakyamuni Buddha Mantra and Chants

Siddhartha Guatama , also often referred to as Sakyamuni, was a spiritual teacher upon whose lessons the foundations for were formed. He is regarded as the Supreme Buddha and is the first individual to be visualized. Despite some confusion from those who do not follow Buddhism, it is important to note that the Buddha was not considered to be a . He was rather a mere human, like the rest of us, .

The power of all Buddhas – Vajrapani Krodha

Krodha has five according to a lineage. Vajrapani Krodha is known as a wrathful meditational deity. Vajrapani Krodh is representing the power of all . The reverse of the of Krodha Vajrapani is decorated with a drawing of a to represent the of all ones. Each of the figures of human teachers and is mar marked with the three letters, ‘ ah hum’, representing the .

Fierce Buddhist Deity – Black Hayagriva

Black Hayagriva is the wrathful activity deity of () Family of . Black Hayagriva is a fierce activity deity of the Family. Black Hayagriva is from the Revealed Treasure Tradition of Chowang. Black Hayagriva is known as tam drin in . Black Hayagriva is also known as the Black Horse Necked One in English. of Black Hayagriva In the iconography of Black Hayagriva, we are going to .

All you need to know About Navaratri – Durga Puja

Navaratri, the word for “nine nights”, also called is a major festival held in for the honor of the divine feminine. There are two festivals of Navaratri: Chaitra Navaratri and Sharad Navaratri or Maha Navaratri. Chaitra Navaratri occurs during the spring season. Navami, the birthday of great Lord Rama, usually falls on the ninth day of Chaitra Navaratri and thus, Chaitra Navaratri is also known as Ram Navaratri. In .

A guide on hand-knotted carpets and their types

Hand-knotted were specially made in to celebrate the birth of a girl by her mother. According to Researchers, started crossing the home in April 1959, within the wake of the ’s flight into exile and landed mostly in and . Tibet carpets historically were practical, everyday objects, woven locally to be used in homes and monasteries where they might over wear out and be discarded. There .