TOP 19 articles about Canvas

About Canvas

Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, and other items for which sturdiness is required. It is also popularly used by as a , typically stretched across a wooden frame.

Products related to Canvas

Discussions related to Canvas

Mantra Mandala Canvas Preparation #48547

Manjushree Thangka in process #54345

OM Namah Shivaya Mandala with Trishul in center in process #48854

Tara Yantra Sketching #48463

Avalokiteshvara Thangka in process #8475

A brief introduction to Black Jambhala featuring Thangka and Statue collections

, Black (: dzam bha la, nag po), a wealthy deity popularized in by Bari and the Kashmiri teacher Shakyashri . is known by in . Kuber is the . Originating in , he appeared from the river’s and passed on the ability to generate to a monarch whose realm was experiencing severe financial troubles at the . He also helps the impoverished and .

Goddess of Wealth and Abundance – Vasudhara

is named Shiskar Apa in Lahul and Spiti. She is comparable to the in Theravada and Tai folk and Bhumidevi and in . She is also known as Goddess of  and Abundance. Who is Vasudhara? Vasudhara (Tib. Norgyunma), the of money, , and abundance, is a of riches, prosperity, and abundance. She is revered in many Buddhist countries and is depicted in  .

King of the South – Virudhaka

Virudhaka is a major deity in . Virudhaka is a symbol of and progress. Virudhara is the ruler of the wind. His sword is to protect and also to symbolize power over . Virudhaka is the Guardian of the Southern Direction. Virudhaka, leader of the , is a worldly guardian worshipped as a protector. He lives on the south side of the lower slopes of in the Heaven of the .

Interpreting Manjushri Namasangiti

Namasangiti is considered amongst the most advanced given by the . It represents the pinnacle of all ’s teachings, being a of the nondual class, along with the Tantra. The Viability of Manjushri Namasangiti In this section, we are going to learn about the viability of Manjushri Namasangiti. And after that, we will learn about the short etymological description of the word Manjushri Namasangiti itself. Etymology of Manjushri .
Shakyamuni buddha Thangka

All you need to know about the types of Thangka Paintings

The origin of or may be attributed to the Nepalese responsible for creating a number of special metal and wall- as well as in . Realizing the great demand for icons in Tibet, these artists, along with and traders, took with them from not only metal sculptures but also a number of manuscripts. To better fulfill the ever-increasing demand Nepalese artists .

How to draw a Mandala?

Drawing is fun. When you are trying to create something new relax and think echo of your soul and the surroundings. and giving shape to the can be a new experience in your life which can help to explore yourself and find the , colors, and patterns to represent your current state of to your most deeply-desired wish for yourself, for a loved one, or for humanity. You can  .

The origin of the Graphic Arts of Buddhism

 is the artistic implementations  that are perused by  . It includes media which idolize  , and other of remarkable figures, both and mythical. Buddhist art explains the scenes from  the lives of all of the  and other graphic that helps to practice as well as physical objects connected with Buddhist practice, such as ,  and  . Buddhist art originated on the  following the historical life of , 6th to 5th century .

Sketching – The power of Tibetan paintings

is the major in creating the . Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the around which the would plan the rest of the . The vertical axis usually marked the center of the , and it was in relation to this line that .
Preparation and Application in Tibetan Art

Techiques of Paint Preparation and Application in Tibetan Art

After cleaning the pigment it had only to be mixed with the to become paint. For blending a pigment and binder you can simply mix it. Paint preparation can take a full day to prepare the five primary colors. Traditionally, the materials included a variety of mineral and vegetable substances minerals, precious stones, bark, leaves, flowers (especially the rock rose), gold, silver, copper, etc. Each had to be collected from its source in different .

Final Touch and Finishing Details In a Traditional Thangka Paintings

Facial Features The last main step involving the application of colours was the rendering of the faces of the . This was in effect the final stage of outlining, and sometimes a painter would step in at this point and complete the of his student. Of all the finishing details, the facial features demanded the most attention, and among these it was the eyes that received the greatest care. The painting .