Sambhogakaya refers to the luminous form of clear light. The Buddhist practitioner attains upon reaching the highest dimensions of practice. According to tradition, those skilled in meditation, such as advanced Tibetan lamas and yogis, as well as other highly realized Buddhists, may gain access to the Sambhogakaya and receive direct transmission of doctrine. Life of Sambhogakaya Buddha In this section, we are going to learn about the life of Sambhogakaya, after that, the short .
Green Tara is a female Buddha and one of the most well-known goddesses in Buddhist women. She is known as an enlightened being ready to take action to benefit sentient. The color green represents the wind element. She moves quickly as the wind to help others. The life of the Green tara In this section, we are going to talk about the life of Green tara, after the short etymological description of the word .
Avadhutipa is also known as Maitripa who is an important figure both in Mahayana and Vajrayana Buddhism. It is through him that Maitreya and Asanga’s crucial work on buddha nature, the Uttara Tantra Shastra, became widely followed in Tibet. He also transmitted the esoteric aspect of buddha nature, embodied in the Mahamudra teachings, which treat the topic of mind in great detail and provide a wide range of progressive, highly-refined meditations. The life of .
White Tara is known as the female Buddha of longevity. White Tara, also called “the Mother of all Buddhas” is the perfect embodiment of graceful power, wisdom, and purity. As with Tara’s expressions in the other five colors, the vibrations of white color express the specific energy of White Tara. The Viability of the White Tara In this portion, we are going to gab about the viability of the White Tara. After that, we .
The wheel of life is a symbolic representation of cyclic existence found on the outside walls of Tibetan Buddhist temples and monasteries in the Indo-Tibetan region. This pictorial thangka presents basic Buddhist concepts such as karma and rebirth in a manner that can be understood by uneducated or illiterate people. Alternate translations for Bhavacakra include the Buddhist wheel of life, wheel of cyclic existence, wheel of becoming, etc. The Viability of the wheel of .
The Gelug is the newest of the schools of Tibetan Buddhism. It was founded by Je Tsongkhapa a philosopher and Tibetan religious leader. Gelug Lineage’s field for the Accumulation of Merit with Tsongkapa at the Center is surrounded by the Panchen Lama incarnation lineage above and with meditational deities, Confession Buddhas, arhats and protectors below. In the Gelug Tradition of Tibetan Buddhism, there are numerous Refuge Field composition types distinguished both by the central .
Asaṅga is one of the most important spiritual figures of Mahayana Buddhism and the founder of the Yogacara school. Asanga is known as the 4th-century founder of the Mind-Only School of Buddhist Philosophy. The Existence of the Asanga In this section, we are going to talk about the existence of Asanga. After a short etymological description of the word Asanga itself, we will review his frameworks for Abhidharma, and we will learn about Asaṅga’s .
Dipamkara is known as the Buddha of the Previous Age, or the age prior to the time of the historical Buddha Shakyamuni who lived during the sixth century BCE. Dipamkara is often remembered as the buddha who predicted Shakyamuni’s future enlightenment. The Viability of the Dipamkara Buddha In this portion, we are going to grab about the viability of the Dipamkara Buddha. After that, we will present the short etymological description of the Dipamkara .
Maitreya is also known as Metteyya who is presented as a future Buddha of this world in Buddhist eschatology. In some Buddhist literature, such as the Amitabha Sutra and the Lotus Sutra, Maitreya is referred to as Ajita Bodhisattva. Maitreya is a bodhisattva who in the Buddhist tradition is to appear on Earth, achieve complete enlightenment, and teach the pure dharma. According to scriptures, Maitreya will be a successor of the historic Sakyamuni Buddha, .
Thangkas The origin of Paubha or Thangka paintings may be attributed to the Nepalese artists responsible for creating a number of special metal works and wall- paintings as well as illuminated manuscripts in Tibet. Realizing the great demand for religious icons in Tibet, these artists, along with monks and traders, took with them from Nepal not only metal sculptures but also a number of Buddhist manuscripts. To better fulfill the ever-increasing demand Nepalese artists .