Green Tara is a female Buddha and one of the most well-known goddesses in Buddhist women. She is known as an enlightened being ready to take action to benefit sentient. The color green represents the wind element. She moves quickly as the wind to help others. The life of the Green tara In this section, we are going to talk about the life of Green tara, after the short etymological description of the word .
White Tara is known as the female Buddha of longevity. White Tara, also called “the Mother of all Buddhas” is the perfect embodiment of graceful power, wisdom, and purity. As with Tara’s expressions in the other five colors, the vibrations of white color express the specific energy of White Tara. The Viability of the White Tara In this portion, we are going to gab about the viability of the White Tara. After that, we .
Avalokitesvara is a bodhisattva who uses to embodies the compassion of all Buddhas. He is one of the more widely revered bodhisattvas who helps in mainstream Mahayana Buddhism. In China and its sphere of cultural influence, Avalokitesvara is often depicted in an also female form known as Guan Yin. The Viability of Avalokitesvara In this portion, we are going to learn about the viability of Avalokitesvara, after the short description of the word Avalokitesvara .
In Vajrayana Buddhism, Akshobhya is one of the Five Wisdom Buddhas who is known as a product of the Adibuddha, and also represents consciousness as an aspect of reality. By convention, Aksobhya is established in the east of the Diamond Realm and is the lord of the Eastern Pure Land Abhirati although the Pure Land of Akshobhya’s western counterpart Amitabha is far better known. His consort is Locana and he is also normally accompanied .
Thangkas The origin of Paubha or Thangka paintings may be attributed to the Nepalese artists responsible for creating a number of special metal works and wall- paintings as well as illuminated manuscripts in Tibet. Realizing the great demand for religious icons in Tibet, these artists, along with monks and traders, took with them from Nepal not only metal sculptures but also a number of Buddhist manuscripts. To better fulfill the ever-increasing demand Nepalese artists .
Tashi Paltseg was born in 1359-1424. Tashi Paltseg was born in 9th-century at Throne Holder of Taglung. The life of Tasi Paltseg In this portion, we are going to learn about the life of Tashi Platseg, after te short etymological description of the word Tashi Platseg itself. Etymology of Tashi Patseg Tashi Platseg appointed Taglung Shamar Jangchub Gyatso to the abbacy of Taglung Earlier, we learn about the life of Tashi Platseg. Now, we .
The Goddess of the Dawn is depicted in many different forms. Sometimes Marichi rides a white horse through the sky, banishing the darkness and driving back the night with the orb of the sun in the outstretched right hand. More commonly Marichi is yellow or red in color, with one, three or more faces and six to twelve arms, seated on a chariot drawn by seven pigs, or horses, removing all obstacles to happiness .
Kṣitigarbha is also known as bodhisattva primarily revered in East Asian Buddhism who is usually depicted as a Buddhist monk in the Orient. Ksitigarbha is known for his vow not to achieve Buddhahood until all hells are emptied. Therefore, Ksitigrabha is also regarded as the bodhisattva of hell-beings. The Life of Ksitigarbha In this portion, we are going to learn about the life of Ksitigarbha, after that, we will present the short etymological description .
According to the Gelug and Kagyu schools of Tibetan Buddhism, Vajradhara is also known as the ultimate Primordial Buddha or Adi Buddha. Vajradhara displaced Samantabhadra who remains the Primordial Buddha in the Nyingma or Ancient School and the Sakya school. However, the two are metaphysically equivalent. The Esse of Vajradhara In this portion, we are going to learn about the ease of Vajradhara, after the short etymological description of the word Vajradhara itself. Etymology .
Wutaishan Mountain in China is considered special for the Buddhist deity/bodhisattva Manjushri. According to oral history and Chinese literature, it was Drogön Chögyal Phagpa who first talked about the five different forms of Manjushri. 5 forms of Manjushree are represented on each of the five peaks: central and four directions. The Five Manjushri forms are not depicted in a consistent manner. There are many iconographic differences appearing between the various paintings be they central .