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Suffering is the state of undergoing pain, distress, or hardship.

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The Four Samadhis

How Avalokitesvara is called in Japan?

Explaining Buddhist Deity Green Tara

is a female and one of the most well-known in women. She is known as an being ready to take action to benefit sentient. The color green represents the wind element. She moves quickly as the wind to help others. The life of the Green In this section, we are going to talk about the life of Green tara, after the short etymological description of the word .

Explaining Buddha of longevity – White Tara

is known as the female of . White , also called “the Mother of all Buddhas” is the perfect embodiment of graceful power, , and . As with Tara’s expressions in the other five colors, the vibrations of white color express the specific energy of White Tara. The Viability of the White Tara In this portion, we are going to gab about the viability of the White Tara. After that, we .
Statue of Sahasrabhuja Avalokitesvara with Coral Torquise and Lapis and Metal Setting

God of Compassion Avalokitesvara

is a who uses to embodies the of all . He is one of the more widely revered who helps in mainstream . In and its sphere of cultural influence, Avalokitesvara is often depicted in an also female form known as Guan Yin. Avalokitesvara is also known as referred to as or . In , Avalokitesvara is said to be as and is said to be .

Mirror Like Wisdome – Buddha Akshobhya

In , is one of the Five , who is known as a product of the Adibuddha, and also represents as an aspect of reality. By convention, is established in the east of the Diamond Realm and is the lord of the Eastern Abhirati although the Pure Land of Akshobhya’s western counterpart is far better known. His consort is Locana and he is also normally accompanied .
Shakyamuni buddha Thangka

All you need to know about the types of Thangka Paintings

The origin of or may be attributed to the Nepalese responsible for creating a number of special metal and wall- as well as in . Realizing the great demand for icons in Tibet, these artists, along with and traders, took with them from not only metal sculptures but also a number of manuscripts. To better fulfill the ever-increasing demand Nepalese artists .

Depicting Lama Teacher Tashi Paltseg

Tashi Paltseg was born in 1359-1424. Tashi Paltseg was born in 9th-century at Holder of Taglung. At the top center of the Tashi Paltseg, there is . Avalokiteshvara has eleven faces and eight arms. At the right and left sides of the Tashi Paltseg are seated .   Descending at the viewers right there are the teachers Buton Tamche Khyenpa, Sholo Tanpa, Lochen Jang Tsel, and Choje . Descending on the left .
marichi Thangka

Goddess of Dawn and Light Marichi

The Goddess of the Dawn is depicted in many different . Sometimes rides a white horse through the sky, banishing the darkness and driving back the night with the orb of the in the outstretched right hand. More commonly Marichi is yellow or red in color, with one, three or more faces and six to twelve arms, seated on a chariot drawn by seven pigs, or horses, removing all obstacles to  .

Buddhist Deity Ksitigarbha

is also known as primarily revered in East Asian who is usually depicted as a in the Orient. Ksitigarbha is known for his not to achieve until all are emptied.  Therefore, Ksitigrabha is also regarded as of hell-beings. of Bodhisattva Kshitigarbha Kshitigarbha is rarely if ever depicted alone in or created as a single sculpture. He is despited in the  .
Vajradhara Thangka

The Father of Tantras – Vajradhara

According to the and schools of , is also known as the ultimate Primordial or . Vajradhara displaced who remains the Primordial Buddha in the or School and the school. However, the two are metaphysically equivalent. Achieving the state of Vajradhara is synonymous with complete realization. According to Kagyu Vajradhara, the primordial buddha is also known as the Darmakaya buddha. Depicted as dark blue .
5 forms of Manjushri

Depicting 5 Forms of Manjushri Thangka

Wutaishan Mountain in is considered special for the deity/. According to oral and Chinese literature, it was who first talked about the five different of . 5 forms of are represented on each of the five peaks: central and four directions. The Five Manjushri forms are not depicted in a consistent manner. There are many iconographic differences appearing between the various be they central .