Nyingma Tradition is the old school of Tibetan Buddhism is the name given to the followers of those original translations of the teachings of the Buddha into Tibetan.
The Nyingma teachings are divided into the Long Transmission (Tib. ring gyü) of the Kama and the Short Transmission (Tib. nyé gyü) of Terma; other teachings were received by masters directly in Pure Visions (Tib. dak nang) from deities or gurus, in experiences or in dreams.
Particular to .
Rolpai Dorje who is known as the 4th Karmapa wearing the black crown and Khacho Wangpoa was the 2nd Shamarpa.
The Life of Karmapa Rolpai Dorje
In this portion, we are going to learn the life of the Karmapa Rolpai Dorje, after the short etymological description of the word Karmapa Rolpai Dorje itself.
Etymology of Rolpai Dorje
Rolpaie Dorje (1340- 1383) was the fourth Gyalwa Karmapa.
Earlier, we learn about the life of Rolpaie Dorje. Now, we are going .
Vajrayogini is a tantricBuddhist deity who is also called as Vajravarahi in Tantric Buddhism, or Vajrayana, a tradition in which she is considered the supreme deity more revered than any male buddha. She represents the path leading to female Buddhahood.
She is also a dakini, a term that describes a female supernatural being or an accomplished yogini, and is considered the queen of the dakinis.
Her name comes from the Sanskrit, vajra, which means “diamond” or “thunderbolt,” .
Lion-faced Dakini is a secret form of Vajrayogini also has a relationship to Troma and the practice of chöd. She is appropriate for clearing obstacles of the most pervasive and malignant kind and cutting through the “three poisons” of mind.
This ancient practice has been important in Tibetan Buddhism since the time of Guru Rinpoche. PeGyal Lingpa received this revelation directly from Padmasambhava, appearing in a red-black form, instead of the more common dark blue .
After cleaning the pigment it had only to be mixed with the binder to become paint. For blending a pigment and binder you can simply mix it.
Paint preparation can take a full day to prepare the five primary colors. Traditionally, the materials included a variety of mineral and vegetable substances minerals, precious stones, bark, leaves, flowers (especially the rock rose), gold, silver, copper, etc.
Each had to be collected from its source in different areas of .
Steps for Preparing a Thanka Painting
The painters of Tibet pursued their art in an orderly and systematic I way. When creating thangkascroll paintings they proceeded through six clearly defined steps:
The first step was the preparation of the painting surface.
Second, came the establishment of a design on that surface by means of a sketch or transfer.
The third step involved laying down the initial coats of paint, and that was followed by .
Shamarpa Rinpoche was the emanation of Amitabha, the Buddha of Limitless Light: a living example of the appearance of Amitabha in our world in the form of a Mahabodhisattva.
The Tibetan title of Shamar means “the lama of the ruby-red crown”, named after the replica of the Karmapa’s own crown which he bestowed on the Shamarpa. The successive incarnations of the Shamarpas are also known as the “Red Hat Karmapa”.
Birth and Early life
The 14th Shamarpa was born .
Tibetan leader His Holiness the Dalai Lama advice the scientific community in Japan to research on the human mind and ‘inner science’ in the collaborative Buddhist and scientific circles.
His Holiness Dalai Lama Dialogue in Modern Science
The Tibetan leader was also speaking at a dialogue on modern science and Buddhist science in Yokohama.
The Dalai Lama said,
“Scientists use their brilliant intelligence to concentrate on the physical matter. Now science should include investigation about mind and consciousness. .