Sketching is the major work in creating the art. Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the painting around which the artist would plan the rest of the composition. The vertical axis usually marked the center of the main figure, and it was in relation to this line that .
Another main step is to apply washes for shading and gradual transitions of tone. Shading is called Dang in Tibetan which is one of the special feature of Thangka painting. Shading is an important feature of thankapainting, taking up a large portion of the time, and is done very carefully and precisely. Shading in this context does not mean the treatment of light and shadow within the whole composition, for the distribution of light and .
After cleaning the pigment it had only to be mixed with the binder to become paint. For blending a pigment and binder you can simply mix it. Paint preparation can take a full day to prepare the five primary colors. Traditionally, the materials included a variety of mineral and vegetable substances minerals, precious stones, bark, leaves, flowers (especially the rock rose), gold, silver, copper, etc. Each had to be collected from its source in different .
By the time the painter sat down to begin the sketch he already had in mind the main contents and design of the thangka. Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the painting, such diagrams often having been composed by the lama of the patron. When the .
Steps for Preparing a Thanka Painting The painters of Tibet pursued their art in an orderly and systematic I way. When creating thangkascroll paintings they proceeded through six clearly defined steps: The first step was the preparation of the painting surface. Second, came the establishment of a design on that surface by means of a sketch or transfer. The third step involved laying down the initial coats of paint, and that was followed .
A completed thangka, however beautiful or impressive, never tells the full story of the complex process artists to undergo to create such a divine image. We have compiled this list of Twelve steps involved in producing a traditional Thangka sacred painting to help you appreciate your new thangka. Although certain elements of thangka painting have changed since artists began painting in exile, much of traditional styles and techniques have been painstakingly retained. We hope .