TOP 34 articles about Worship

About Worship

Worship is the feeling or expression of reverence and adoration for a deity.

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Trimurti – Brahma, Vishnu and Shiva

The is a concept in in which the cosmic functions of creation, maintenance, and destruction are personified by the of  the creator, the maintainer or preserver and the destroyer or transformer. These three deities have been called “the triad” or the “Great ”. However, the and medieval texts of Hinduism feature many triads of and , some of which do not include Shiva. Trimurti – The supreme lords .

Bhuvaneshwari Yantra – Meditation Object

Bhuvaneshwari Yantra
Goddess Bhuvaneswari holds the fourth position among the ’s. The word Bhuvaneshwari is a word which means the queen of the . Goddess Bhuvaneshwari is the ruler of the whole universe. She controls and influences the situations as per her wish. The name of the Mahavidya itself means the ruler of the world and a Sadhak of Bhuvaneshwari is always victorious on all fronts in life and becomes all powerful. A Sadhak .

All about Tara Yantra

Tara Yantra
Goddess holds the second significant position among all the ten, Dus . The Goddess Tara is the almighty Goddess of decimates all malevolent, is invulnerable and expels idleness, numbness, and haziness from the lover’s life. The word Tara means ‘star’ and it symbolizes light. Thus, Goddess Tara as ‘light’ is known to guide, carry over, overcome and conquer hurdles for acquiring , attain powerful speech and acquire the qualities of learning. Goddess .

Kamala Yantra – Bestows prosperity, wealth and fertility

Kamala Yantra
Kamala is the tenth of the ten . Goddess Kamala or is considered the most supreme form of the goddess who is in the fullness of Her graceful aspect. She is not only compared with Goddess but also considered to be Goddess Lakshmi. She is also known as Lakshmi. The goddess in the form of Kamala bestows and , fertility and crops, and good luck. Hence She is  .

Division of Hinduism and Female Devin Power

For over 200 years, Western scholars have struggled to understand , a faith whose followers seemed (to outsiders) to arbitrarily any one of a dozen as the Supreme, a vastly diverse in its beliefs, practices, and ways of worship. Some Indologists labeled the Hinduism they encountered polytheistically; others even coined new terms, like henotheism, to describe this baffling array of spiritual traditions. Few, however, have realized, and fewer still have written, .

Adi Shakti Parvati – Mantra and incarnation

is a  goddess. She is the symbol of divine strength, power, , and productiveness. she is a daughter of the  Lord of the Mountains and queen Mena, as she was given a name “Parvati”. Parvati is known as the mother goddess in . She is also known as Uma. She is also known as Adi-. She is called by different other names in Hindu such as , Goddess , Adi Parashakti, Shakti, , Sati, , .

Kamakhya – The Goddess of Desire

Great Goddess, Adhi , is not only wise, violent but she is also the creator. She is very much in touch with her sexuality, fertility and related bodily functions. She is worshipped as  in her form. The name Kamakhya literally means ‘Sexual .’ Kamakhya is also known as Siddha , is an important goddess of desire who evolved in the hills. She is worshiped as Siddha Kubjika and is also identified .

Final Touch and Finishing Details In a Traditional Thangka Paintings

Facial Features The last main step involving the application of colours was the rendering of the faces of the . This was in effect the final stage of outlining, and sometimes a painter would step in at this point and complete the of his student. Of all the finishing details, the facial features demanded the most attention, and among these it was the eyes that received the greatest care. The painting .

The Magic of Composition in Tibetan paintings

By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the .

Characteristics of Tibetan Art – a psychological and meditational practice

started from the rock in and its subjects ranged from animal images of deer, ox, sheep, horse, etc to hunting scenes. have flourished very well during the period of the Tubo Kingdom. Especially after the installation of in , made a more progress. Introduction to Tibetan Art The heritage of conventional and the fusion of , and Han People’s art essence .
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