This 18th-century essay drawing is similar in content to the photographic measurements. The so-called “image measurement” is the scale of the Buddha’s human body and the scale of the figure. This may be a reference guide for the painting of Buddha statues in Tibet or Nepal in the 18th century. It contains 36 detailed drawings and the text is in Tibetan. The representation of the Buddhist figure is not fabricated out of thin air. .
Lion-faced Dakini is a secret form of Vajrayogini also has a relationship to Troma and the practice of chöd. She is appropriate for clearing obstacles of the most pervasive and malignant kind and cutting through the “three poisons” of mind. This ancient practice has been important in Tibetan Buddhism since the time of Guru Rinpoche. PeGyal Lingpa received this revelation directly from Padmasambhava, appearing in a red-black form, instead of the more common dark .
Tibetan medicine is a science, art, and philosophy that provides a holistic approach to health care. It is a science because its principles are enumerated in a systematic and logical framework based on an understanding of the body and its relationship to the environment. It is an art because it uses diagnostic techniques based on the creativity, insight, subtlety, and compassion of the medical practitioner. And it is a philosophy because it embraces the .
Tibetan Buddhism has such a unifying symbol, known variously as a Refuge assembly, Field of Merit, or Refuge Tree. It is known as a Refuge assembly because it is a visualized gathering of figures representing the three Refuges. It is known as a Field of Merit because by visualizing a great array of Enlightened figures and then making offerings to them, and by performing other skillful actions, such as committing oneself to the Bodhisattva .
Avalokitesvara, the Lord of Compassion, gazes out across the world, his white radiance soothing the sufferings of living beings. With one pair of hands, he clasps to his heart the wish-fulfilling gem of his vow to eradicate the world’s pain. In his upper left hand, he holds the lotus of spiritual receptivity, the desire to leave the mud of samsara and reach up toward the sun of true happiness. Above his head, we sense .
The Tibetan tantric yoga learning and practice is not like the regular yoga practiced in the West. It is a art of rLung and exercise of the mind purely based on spiritual growth, a tantric tradition of master Pundit Naropa and Lama Marpa Lotsawa. It removes the negative omens from the channels and chakras by physical positions and movements which harmonize wind and mind. The yoga practice helps stimulate the channels and chakras, and .
There are three general skill levels of thangka painters are hobbyist, professionals, and masters. You can find out the skill of the artist by looking closely at the lines, such as those used to make waves, clouds, and the faces of people, gods, goddesses, and animals. The finer and clearer the lines, the greater the skill involved. A thangka painted by a master will cost more than one painted by a professional. The student .
Sketching is the major work in creating the art. Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the painting around which the artist would plan the rest of the composition. The vertical axis usually marked the center of the main figure, and it was in relation to this line that .
Another main step is to apply washes for shading and gradual transitions of tone. Shading is called Dang in Tibetan which is one of the special feature of Thangka painting. Shading is an important feature of thanka painting, taking up a large portion of the time, and is done very carefully and precisely. Shading in this context does not mean the treatment of light and shadow within the whole composition, for the distribution of light and .
After cleaning the pigment it had only to be mixed with the binder to become paint. For blending a pigment and binder you can simply mix it. Paint preparation can take a full day to prepare the five primary colors. Traditionally, the materials included a variety of mineral and vegetable substances minerals, precious stones, bark, leaves, flowers (especially the rock rose), gold, silver, copper, etc. Each had to be collected from its source in different .