The Kadam Style Stupa is distinguished by a simple but traditional top with a parasol and thirteen falling discs. A square balcony-like structure with a round bell-shaped bottom is placed in the center, all of which is above around double lotus foundation.
Kadam stupas are commonly used as reliquaries. Some include only connected articles, while others contain the ashes of a lama or other renowned person. They frequently contain numerous kinds of treasure, ranging from .
The 8 Stupas in Buddhism are different with each other and represents an important event in BuddhaShakyamuni's life. In his Astamahasthanacaitya-stotras, Nagarjuna connects the eight Stupas to specific events and places in the Buddha's life.
Chorten, Chaitya or Stupa (མཆོད་རྟེན་དཀར་པོ།) is an important religious monument in Buddhism, symbolizing Buddha’s presence. It also holds precious Buddhist relics and sometimes even preserved bodies of renowned lamas. Tibetans believe that performing Koras of the monument is an .
This is the thangka of the Tibetan calendar. As both an instructional tool and auspicious talisman the stylized astrological chart brings good fortune to all those who see, display, or possess it. The painting is a congregation of astrological, calendar, and primary element symbols.
The Esse of Protective Talisman
In this portion, we are going to learn about the Esse of Protective Talisman. After that, we will learn about the short etymological description of the word .
Ushnishavijaya Thangka with thirty-three deity indicates the Victorious Crown Ornament. She is one of three long-life deities who is very popular in Himalayan and Tibetan Buddhism. The other two deities are AmitayusBuddha and White Tara.
The life of the Ushnishavijaya
In this section, we are going to learn about the life of the Ushnishavijaya. After that, we will learn the short description of the word Ushnishavijaya itself.
Etymology of Ushnishavijaya
Ushnishavijaya is known as gtsug tor rnam .
Goddess Bhuvaneswari holds the fourth position among the Dus Mahavidya’s. The word Bhuvaneshwari is a Sanskrit word which means the queen of the universe. Goddess Bhuvaneshwari is the ruler of the whole universe. She controls and influences the situations as per her wish.
The name of the Mahavidya itself means the ruler of the world and a Sadhak of Bhuvaneshwari is always victorious on all fronts in life and becomes all powerful.
A Sadhak of Bhuvaneshwari .
Goddess Tara holds the second significant position among all the ten, Dus Mahavidyas. The Goddess Tara is the almighty Goddess of Shakti decimates all malevolent, is invulnerable and expels idleness, numbness, and haziness from the lover's life.
The word Tara means ‘star’ and it symbolizes light. Thus, Goddess Tara as ‘light’ is known to guide, carry over, overcome and conquer hurdles for acquiring knowledge, attain powerful speech and acquire the qualities of learning.
Goddess Tara is .
Tibetan Buddhism has such a unifying symbol, known variously as a Refuge assembly, Field of Merit, or Refuge Tree. It is known as a Refuge assembly because it is a visualized gathering of figures representing the three Refuges.
It is known as a Field of Merit because by visualizing a great array of Enlightened figures and then making offerings to them, and by performing other skillful actions, such as committing oneself to the Bodhisattva path .
A Yantra is usually linked with a particular deity and is used for distinct purposes such as meditation, pujas, tantrism, the attraction of wealth and success. Numbers of geometric shapes and images along with mantras from the Yantra. The central point of almost all yantra is Bindu, a small red dot. The triangles are also important symbols representing Shiva and Shakti. The concentric circle represents the manifestation.
Here's what a great meditation master, Ivan Rados has .
This 18th-century essay drawing is similar in content to the photographic measurements. The so-called "image measurement" is the scale of the Buddha's human body and the scale of the figure.
This may be a reference guide for the painting of Buddha statues in Tibet or Nepal in the 18th century. It contains 36 detailed drawings and the text is in Tibetan.
The representation of the Buddhist figure is not fabricated out of thin air. The proportions, .