About Madhyamaka

Madhyamaka also known as Śūnyavāda and Niḥsvabhāvavāda refers to a tradition of Buddhist philosophy and practice founded by the Indian philosopher Nāgārjuna. The foundational text of the Mādhyamaka tradition is Nāgārjuna's Mūlamadhyamakakārikā. More broadly, Madhyamaka also refers to the ultimate nature of phenomena and the realization of this in meditative equipoise.

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Acarya Bhavaviveka converting a nonbeliever to buddhism

Bhāviveka – The founder of the Svātantrika tradition of the Mādhyamaka school

, also known as Bhavya or Bhāvaviveka, was a 6th century . In , Bhāviveka is considered the founder of the Svātantrika tradition of the Mādhyamaka school, which is considered to be an antagonist of the Prāsaṅgika Madhyamaka. The Madhyamaka school The Madhyamaka school, also known as the "" school, is a major tradition within Indian . The Madhyamaka , as propounded by the Indian Nāgārjuna in the 2nd century, asserts .
Dalai Lama speaking on the first day of his teaching on Chandrakirti 2022

The Dalai Lama’s views on the Madhyamaka

This article is about the 's on the The  also referred as "". It is based on the belief that all things are interconnected and interdependent, and that therefore no one thing can be considered in isolation. The Dalai 's views on the "Middle Way" This article discusses the Dalai Lama's views on the Middle Way Approach, a which advocates for a balanced and moderate approach to life. While addressing the congregation at the .
Tsonkapa, 16th century, Collection of Rubin Museum of Art

Rangtong – The nature of emptiness

Rangtong is the majority Tibetan teaching on the nature of śūnyatā or "emptiness", namely that all phenomena are empty of a self-nature in both the relative and absolute sense, without positing anything beyond that. This position is the mainstream Tibetan interpretation of , especially by the followers of Prasaṅgika Mādhyamaka. Tsongkhapa (1357–1419), who also wrote in response to shentong, is the most outspoken defendant of rangtong. He saw emptiness as a consequence of dependent designation, the .
1st Karmapa Dusum Khyenpa Thangka Painting

1st Karmapa Lama – Dusum Kyenpa

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Explaining Gelug Lineage of Tibetan Buddhism

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Explaining Buddhist Protector Four Faced Mahakala – Chaturmukha Thangka

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Yogambara Thangka

Interpreting Yogambara

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The Magic of Composition in Tibetan paintings

By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the patron provided .

The 4 Phases of The Development of Buddhism in India

was introduced to Indians by who lived in in the sixth century BCE, a of boom of and philosophical thought from Greece to . Born as the crown prince of the great Kingdom, the youth was prepared to be a in accordance with the wishes of his royal father. However, at the age of 28 years old, he learned of the deep experienced in life by most .
Atisa Thangka Painting

Atiśa Dīpaṃkara Śrījñāna – The Reviver of Buddhism in Tibet

is a renowned Indian who went to in 1042 to help in the revival of and established the Kadam tradition. His text Light for the Path was the first lam-rim text. Pala Empire The Pala Dynasty was the ruling Dynasty in Bihar and Bengal , from the 8th to the 12th century.  Called the Palas because all their names ended in Pala, "protector". is a teacher from the Pala Empire who, along .