TOP 12 articles about mahasiddhas

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Interpreting Indian Adept Avadhutipa – Maitripa

Avadhutipa is also known as Maitripa who is an important figure both in Mahayana and . It is through him that and ’s crucial on nature, the Uttara Shastra, became widely followed in . He also transmitted the esoteric aspect of buddha nature, embodied in the , which treat the topic of in great detail and provide a wide range of progressive, highly-refined . The life of .

Explaining Nairatmya

is a who is the consort of in the Hevajra-.  Nairaymya is an embodiment of the philosophical concept of anatman. Nairatmya and Shri malformed, Ugly One along with the ‘Extensive Lineage’ of Indian of the Hevajra Tantra. The life of Nairatmya In this section, we will learn about the life of Nairatmya. And after that, we will learn about the short etymological description of the Nairatmya. Etymology .

Interpreting Manjushri Namasangiti

Namasangiti is considered amongst the most advanced given by the . It represents the pinnacle of all ’s teachings, being a of the nondual class, along with the Tantra. The Viability of Manjushri Namasangiti In this section, we are going to learn about the viability of Manjushri Namasangiti. And after that, we will learn about the short etymological description of the word Manjushri Namasangiti itself. Etymology of Manjushri .

Explaining Dombi Heruka

is also known as . Dombi is known as the Indian of methods from the group of 84 famous . Dombi Heruka was a principal student of . The Life of Dombi Heruka In this portion, we are going to learn about the life of Dombi Heruka. And after that, we will learn about the short etymological description of the word Dombi Heruka itself. Etymology of Dombi Heruka Dombi .

Explaining Siddha Virupa – The Lord of Yoga

is also known as Yogeshvara. Virupa is surrounded by students and lineage teachers. Siddha Virupa is especially known as the source of the system held by the school and is thus seen as the Indian founder of their lineage.  The life of Siddha Virupa In this section, we are going to learn about the life of Siddha Virupa, after te short etymological description of the word Siddha Virupa itself. Etymology of .
vajrayogini

Interpreting Vajravarahi and 5 Deities Tibetan Painting

, 5 Deity principal tutelary deity of the . The life of Vajravarahi In this portion, we are going to learn about the life of Vajrabarahi, after that the short description of the word Vajravarahi itself. Etymology of Vajravarahi Vajravarahi is known as Asrdo Rje Phag mo in . Vajravarahi is one of the most popular female deities in all traditions of . Earlier, we learn about the life .
Dorje Neljorma

Vajrayogini Dakini – Origin, Lineages and Iconography

is a deity who is also called as in , or , a tradition in which she is considered the supreme deity more revered than any male . She represents the path leading to female . She is also a , a term that describes a female supernatural being or an accomplished , and is considered the queen of the dakinis. Her name comes from the , , which means “diamond” .
Machik Labdron and Chod Refuge

Depicting the Painting of Machik Labdron and Chod Refuge

This is mid-20th-century of Machik Labdron and the Chod refuge field displaying teachers and deities. Painting Chart N°1  Asaṅga was “one of the most important spiritual figures” of and the “founder of the Yogacara school”. Traditionally, he and his half-brother are regarded as the major classical Indian exponents of Mahayana , Vijñanavada (awareness only) thought and Mahayana on path. N°2 The lineage of .

The Lineage Tree – visualization of Refuge Tree

has such a unifying symbol, known variously as a Refuge assembly, Field of Merit, or . It is known as a Refuge assembly because it is a visualized gathering of figures representing the three Refuges. It is known as a Field of Merit because by visualizing a great array of figures and then making to them, and by performing other skillful actions, such as committing oneself to  .

The Magic of Composition in Tibetan paintings

By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the .