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Avalokiteshvara Thangka in process #8475

What is Yantra?

What is the techniques of making the Mandala??

What does the wheel in mandala represents?

How to draw a Mandala?

Drawing is fun. When you are trying to create something new relax and think echo of your soul and the surroundings. and giving shape to the can be a new experience in your life which can help to explore yourself and find the , colors, and patterns to represent your current state of to your most deeply-desired wish for yourself, for a loved one, or for humanity. You can  .

Lion Faced Dakini – Singhamukha Yogini

Lion-faced is a secret form of also has a relationship to Troma and the practice of . She is appropriate for clearing obstacles of the most pervasive and malignant kind and cutting through the “” of . This practice has been important in since the of . PeGyal Lingpa received this revelation directly from , appearing in a red-black form, instead of the more common dark .

All about Tara Yantra

Tara Yantra
Goddess holds the second significant position among all the ten, Dus . The Goddess Tara is the almighty Goddess of decimates all malevolent, is invulnerable and expels idleness, numbness, and haziness from the lover’s life. The word Tara means ‘star’ and it symbolizes light. Thus, Goddess Tara as ‘light’ is known to guide, carry over, overcome and conquer hurdles for acquiring , attain powerful speech and acquire the qualities of learning. Goddess .

Root Chakra – Primary energy storage

Root Chakra Mandala
The is also called in which is primary energy . It is located at the base of the spine in the vicinity of the coccygeal plexus beneath the sacrum. It is associated with your most basic survival needs. Where is root is located on the ? Muladhara is located at the base of the spine, the pelvic floor, and the first three vertebrae, the root chakra is responsible for .

The Dark Armies of the Dharma

, the Lord of , gazes out across the world, his white radiance soothing the of living beings. With one pair of hands, he clasps to his heart the wish-fulfilling gem of his to eradicate the world’s pain. In his upper left hand, he holds of spiritual receptivity, the to leave the mud of and reach up toward the of true . Above his head, we sense .

The Nuances of Karma

The word ‘’ sounds very romantic, because it is and people don’t know exactly what it means. To me, karma is some kind of law, which governs the things that are happening in our and within our lives. What is taking place has definitely not been created by anybody other than ourselves, yet, when we start experiencing the result, we have no control over it. Points to think about in Relation .

Yidam – Peaceful and Wrathful Buddhist deities

In , it will not be long before to hear someone talk about their . Especially if they have been meditating for some years you will gather from the way they talk that it is something of the greatest importance for them. This word literally means oath, , or promise, and connotes the deity to whose you are committed to whom you are linked by a promise or vow, .

Sketching – The power of Tibetan paintings

is the major in creating the . Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the around which the would plan the rest of the . The vertical axis usually marked the center of the , and it was in relation to this line that .

Final Touch and Finishing Details In a Traditional Thangka Paintings

Facial Features The last main step involving the application of colours was the rendering of the faces of the . This was in effect the final stage of outlining, and sometimes a painter would step in at this point and complete the of his student. Of all the finishing details, the facial features demanded the most attention, and among these it was the eyes that received the greatest care. The painting .

The Art Of Mastering and outlining of Tibetan Thangkas

Almost every object depicted in a required outlining or linear detail. Outlining proper (bead) served to set off most objects from their surroundings, and it was used to demarcate the main subdivisions within them. also used line to develop the form or texture inside a given area, for instance within a swirling mass of flames or within the hair of a deity. Furthermore, fine linear drawings were the main way .
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