TOP 12 articles about Dharmapala

About Dharmapala

Dharmapala is protectors, deities that are entrusted with the role of protection for both the and the followers. There are two classes, [1] (jnanapala) and [2] ().

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Appearances and Identifications of Vajrapani

is one of the earliest and most recognizable characters of . He is known for carrying a  scepter and being a close attendant to the historical according to the Mahayana . In , Vajrapani is entrusted to safeguard all of the literature and in this regard, he is known as Guhyapati – the Lord of Secrets. Different of Vajrapani Vajrapani manifests in a variety of forms and looks, ranging .
Black Mahakala Statue Real Gold and Thangka Color

All about Wisdom Protector – Mahakala

is a male deity. He is the protector deity known as a in , especially most traditions, in Tangmi and in Japanese Esoteric . Maha literally translates as great and Kala signifies or death, hence Mahakala means “beyond the time” or “Great Black One“. Mahakala is a protector deity and specifically the primary Protector of and . In some cases, Mahakala can also be .

Interpreting Buddhist Protector Panjarnata Mahakala

Panjarnata is the protector of the cycle of . The and of Panjarnata Mahakala are found in the 18th chapter of the Panjara Tantra which an exclusive ‘explanatory tantra’ to the Hevajra Tantra itself. Life of Panjarnata Mahakala In this section, we are going to learn about the life of Panjarnata Mahakala, after that, the short etymological description of the word  Panjarnata Mahakala itself. Panjarnata Mahakala is the main .

Interpreting Buddhist protector Begtse Chen

is known as the main protector for the Hayagriva cycle of practice. Chen is a and the lord of war in origin a pre- war of the . Begtse Chen is known as the Great Coat of Mail in English and Begtse Chen is also known as  Atma in . The of Begtse Chen In the iconography of Begtse Chen, we are going to learn about his .

Interpreting Medicine Buddha

is also known as Prabha Raja. is also called the of Lapis Lazuli or Sapphire Light. The Viability of Medicine Buddha In this portion, we are going to learn about the viability of Medicine Buddha. After that, we will learn the short etymological description of the word Medicine Buddha itself. Etymology of Medicine Buddha Medicine Buddha is called Bhaishajyagur in .  Medicine Buddha is also known as sang .

Explaining Ancient Sridevi (Dudsolma)

Shri is not one entity or personality. Depending on the form of Shri Devi she could be a wrathful emanation of a number of different deities such as Shri Devi Magzor Gyalmo is the wrathful form of Sarasvati. Some of Shri Devi with four arms such as Dudusolma are the wrathful form of Shri . There are dozens of different variations and forms of Shri Devi. Shri Devi wrathful with one face .

Lion Faced Dakini – Singhamukha Yogini

Lion-faced is a secret form of also has a relationship to Troma and the practice of . She is appropriate for clearing obstacles of the most pervasive and malignant kind and cutting through the “” of . This practice has been important in since the of . PeGyal Lingpa received this revelation directly from , appearing in a red-black form, instead of the more common dark .

The Lineage Tree – visualization of Refuge Tree

has such a unifying symbol, known variously as a Refuge assembly, Field of Merit, or . It is known as a Refuge assembly because it is a visualized gathering of figures representing the three Refuges. It is known as a Field of Merit because by visualizing a great array of figures and then making to them, and by performing other skillful actions, such as committing oneself to  .

The Dark Armies of the Dharma

, the Lord of , gazes out across the world, his white radiance soothing the of living beings. With one pair of hands, he clasps to his heart the wish-fulfilling gem of his to eradicate the world’s pain. In his upper left hand, he holds of spiritual receptivity, the to leave the mud of and reach up toward the of true . Above his head, we sense .

The Magic of Composition in Tibetan paintings

By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the .