Dusum Khyenpa is known as the 1st Karmapa. Dusum Khyenpa is the founder of the Karma (Kamtsang) branch of the Kagyu Tradition. Dusum Khyenpa was born in Kham He served as Abbot of Daklha Gampo monastery after Gampopa and founded the Tsurphu monastery. He is becoming the seat of the incarnate Karmapa lamas. Dusum Khyenpa was the founder of the Karma Kagyu school and of its three main monasteries: Kampo Nenang Gon in 1164, .
Sitatapatra is known as a protector against supernatural danger in Buddhism. She is venerated in both the Mahayana and Vajrayana traditions. She is also known as Usnisa Sitatapatra. Sitatapatra is a powerful independent deity emanated by Gautama Buddha from his Usnisa. Sitatapatra is known as Sanskrit Dug Kar mo in Tibet. and Sitatapatra is also known as The White Parasol, Crown Ornament of the Buddha in English. Iconography of Sitatapatra Sitatapatra is white in .
Nyingma Tradition is the old school of Tibetan Buddhism is the name given to the followers of those original translations of the teachings of the Buddha into Tibetan. The Nyingma teachings are divided into the Long Transmission (Tib. ring gyü) of the Kama and the Short Transmission (Tib. nyé gyü) of Terma; other teachings were received by masters directly in Pure Visions (Tib. dak nang) from deities or gurus, in experiences or in dreams. .
Mahakala is a male Buddhist tantric deity. He is the protector deity known as a Dharmapala in Vajrayana Buddhism, especially most Tibetan traditions, in Tangmi and in Japanese Esoteric Buddhism. Maha literally translates as great and Kala signifies time or death, hence Mahakala means “beyond the time” or “Great Black One“. Mahakala is a protector deity and specifically the primary Wisdom Protector of Himalayan and Tibetan Buddhism. In some cases, Mahakala can also be .
Shristhikantha Avalokiteshvara is a meditational form of the bodhisattva Avalokiteshvara. Avalokiteshvara is a bodhisattva originally arose from the Sutrayana tradition of Buddhism, and later as a tutelary deity of the Tantric Vajrayana tradition. Life of Shristhikantha Avalokiteshvara In this section, we are going to learn about the life of Shristhikantha Avalokiteshvara, after that, the short etymology of Shristhikantha Avalokiteshvara itself. Shristhikantha Avalokiteshvara is the bodhisattva of compassion surrounded by fifteen Hindu gods emanated from .
Brahmarupa Mahakala is the outer form of Chaturmukha Mahakala. He is the special protector of the Guhyasamaja Tantra and the 2nd main protector of the Sakya School. Brahmarupa, a benign form of the wrathful deity Mahakala, is shown as a bearded nomadic ascetic, sitting on a corpse, wearing a bone apron, and holding a thighbone trumpet and a skull cup. A protector of the Sakya school of Tibetan Buddhism, he is credited with introducing .
Panjarnata Mahakala is the protector of the Hevajra cycle of Tantras. The iconography and rituals of Panjarnata Mahakala are found in the 18th chapter of the Vajra Panjara Tantra which an exclusive ‘explanatory tantra’ to the Hevajra Tantra itself. Life of Panjarnata Mahakala In this section, we are going to learn about the life of Panjarnata Mahakala, after that, the short etymological description of the word Panjarnata Mahakala itself. Panjarnata Mahakala is the main .
Simhanada is a form of Avalokiteshvara connected with removing illness caused by nagas. Simhanada Avalokiteshavara belongs to the Kriya Tantra classification and arises from the Simahanada Tantra and the text of the Arya Avalokiteshvara Dharani. His primary activity is to remove sickness and disease especially illness caused by nagas. Jowo Atisha and Mal Lotsawa popularized the practice of Simhanada in the land of Tibet. Simhanada Avalokiteshvara is known as seng ge dra chen re .
Mandala life is pleased to provide the service of altering the finishing of the statue, from various colors of oxidation to silver and gold plating services. Chocolate color oxidation finishing This oxidation is an emulation of copper statues aged more than 100 years. It is the process in which the statue is given artificial oxidation using chemicals. As the color has not been painted in the statue it does not wear off easily. This .