Buddha-nature or Buddha Principle refers to several related terms, most notably tathāgatagarbha and buddhadhātu. Tathāgatagarbha means "the womb" or "embryo" (garbha) of the "thus-gone" (tathagata), or "containing a tathagata", while buddhadhātu literally means "Buddha-realm" or "Buddha-substrate".
The notion of sentong grew out the Tibetan attempts to reconcile the contradiction between the Madhyama stance on the emptiness of phenomena, and the later notion of an eternal Buddha-nature.
Shentong views the two truths doctrine as distinguishing between relative and absolute reality, agreeing that relative reality is empty of self-nature, but stating that absolute reality is "empty" (Wylie: stong) only of "other" (Wylie: gzhan) relative phenomena, but is itself not empty.
This absolute reality is .
Mahāyāna is a term for a broad group of Buddhist traditions, texts, philosophies, and practices.
Mahāyāna Buddhism developed in India and is considered one of the two main existing branches of Buddhism.
Mahāyāna accepts the main scriptures and teachings of early Buddhism, but also adds various new doctrines and texts such as the Mahāyāna Sūtras and its emphasis on the bodhisattva path and Prajñāpāramitā.
Vajrayāna or Mantra traditions are a subset of Mahāyāna, which .
Dzogchen or "Great Perfection", Sanskrit: अतियोग, is a tradition of teachings in Tibetan Buddhism aimed at discovering and continuing in the natural primordial state of being.
Dzogchen developed in the Tibetan Empire period and the Era of Fragmentation (9th-11th centuries) and continues to be practiced today both in Tibet and around the world.
It is a central teaching of the Nyingma school of Tibetan Buddhism and of Bon. In these traditions, Dzogchen is the highest .
Vajrapani Krodha has five garudas according to a MarpaKagyu lineage. Vajrapani Krodha is known as a wrathful meditational deity. Vajrapani Krodh is representing the power of all Buddhas.
The reverse of the painting of Krodha Vajrapani is decorated with a drawing of a stupa to represent the mind of all enlightened ones. Each of the figures of human teachers and deities is mar marked with the three letters, 'om ah hum', representing the wisdom .
Rolpai Dorje who is known as the 4th Karmapa wearing the black crown and Khacho Wangpoa was the 2nd Shamarpa.
The Life of Karmapa Rolpai Dorje
In this portion, we are going to learn the life of the Karmapa Rolpai Dorje, after the short etymological description of the word Karmapa Rolpai Dorje itself.
Etymology of Rolpai Dorje
Rolpaie Dorje (1340- 1383) was the fourth Gyalwa Karmapa.
Earlier, we learn about the life of Rolpaie Dorje. Now, we are going .
This is mid-20th-century painting of Machik Labdron and the Chod refuge field displaying teachers and deities.
Thangka Painting Chart
Depicting the Painting of Machik Labdron and Chod Refuge
Asaṅga was "one of the most important spiritual figures" of Mahayana Buddhism and the "founder of the Yogacara school".
Traditionally, he and his half-brother Vasubandhu are regarded as the major classical Indian Sanskrit exponents of MahayanaAbhidharma, Vijñanavada (awareness only) thought and Mahayana teachings on the .