About Sixteen Arhats

The Sixteen Arhats are a group of legendary Arhats in Buddhism. The grouping of sixteen Arhats was brought to China, and later to Tibet, from India. In China, an expanded group of Eighteen Arhats later became much more popular, but worship of the sixteen Arhats still continues to the present day in China, Japan and Tibet. In Japan sixteen Arhats are particularly popular in Zen Buddhism, where they are treated as examples of behaviour. In Tibet, the sixteen Arhats, also known as sixteen sthaviras ('elders') are the subject of a liturgical practice associated with the festival of the Buddha's birth, composed by the Kashmiri teacher Shakyahribhadra (1127-1225). They are also well represented in Tibetan art.
The Sixteen Arhats are a group of legendary Arhats in Buddhism. The grouping of sixteen Arhats was brought to China, and later to Tibet, from India. In China, an expanded group of Eighteen Arhats later became much more popular, but worship of the sixteen Arhats still continues to the present day in China, Japan and Tibet. In Japan sixteen Arhats are particularly popular in Zen Buddhism, where they are treated as examples of behaviour. In Tibet, the sixteen Arhats, also known as sixteen sthaviras ('elders') are the subject of a liturgical practice associated with the festival of the Buddha's birth, composed by the Kashmiri teacher Shakyahribhadra (1127-1225). They are also well represented in Tibetan art.

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The Arhats – Moving beyond the state of personal freedom

In Buddhism, an arahant or is one who has gained insight into the true nature of existence and has achieved Nibbana and liberated from the endless cycle of rebirth. Mahayana Buddhist traditions have used the term for people far advanced along the path of Enlightenment, but who may not have reached full Buddhahood. The understanding of the concept has changed over the centuries, and varies between different schools of Buddhism and different regions. A .
angaja arhat

Interpreting Buddhist Arhat Angaja

Angaja is the elder of 16 . He is known as Angiraja. In , he is called as Angaja, or Angiraja. ཡན་ལག་འབྱུང་, Yenlak Jung or Yenlak Kyé; Wyl. yan lag ‘byung, or yan lag skyes in . He is one of the arhats among the . The Life of Angaja In this segment, we are going to learn about the life of Angaja. As a householder, Angiraja was immensely wealthy and gave away all his seven , but he realized .

Interpreting Buddhist Elder Gopaka

Gopaka is the Elders who are known as the 15th and 1st from the set of 16 great arhats. Gopaka is also called principal students of the . The Viability of the Gopaka In this portion, we are going to learn about the Viability of the Gopaka. After that, we are going to learn about the short etymological description of the word  Gopaka itself. Etymology of the Gopaka The meaning of Gopaka is ne ten, be .

Explaining Buddhist Elder Vanavasin

Vanavasin the Elder is the 3rd from the set of 16 great arhats. Vanavasin is also known as presides over the Seven Leaves Mountain with four hundred disciples. The life of the Vanavasin In this section, we are going to learn about the life of Vanavasin. And after, we will learn about the short etymological description of the word Vanavasin itself. Etymology of Vanavasin Vanavasin is known as Pag pa Ne ten, nag la Ne in . .

Interpreting Buddhist Elder Bakula

Bakula is also known as the Elder from the set of 16 great . Bakula is typical of the group of arhats and advance in age. The Life of the Bakula In this section, we are going to learn about the life of the Bakula. And we will learn about the short etymological description of the word Bakula itself. Etymology of Bakula Bakula is known as  Sthavira Bakula in . Earlier, we learn about the life of the Bakula. .

The origin of the Graphic Arts of Buddhism

 is the artistic implementations  that are perused by  . It includes media which idolize  , and other of remarkable figures, both and mythical. Buddhist art explains the scenes from  the lives of all of the  and other graphic that helps to practice as well as physical objects connected with Buddhist practice, such as ,  and  . Buddhist art originated on the  following the historical life of , 6th to 5th century BCE, and .

The Magic of Composition in Tibetan paintings

By the the painter sat down to begin the sketch he already had in the main contents and of the . Usually, the patron had indicated to the painter precisely which deities he wanted to be depicted. Sometimes the patron also furnished a diagram that showe the names and relative positions of each figure in the , such diagrams often having been composed by the of the patron. When the patron provided .