Vajrapani is one of the earliest and most recognizable characters of Buddhist art. He is known for carrying a vajra scepter and being a close attendant to the historical Buddha according to the Mahayana Sutras. In Vajrayana, Buddhism Vajrapani is entrusted to safeguard all of the Tantra literature and in this regard, he is known as Guhyapati - the Lord of Secrets.
Different Forms of Vajrapani
Vajrapani manifests in a variety of forms and looks, ranging from placid .
Guhyasamja is one of Vajrayana Buddhism's most fascinating, difficult, and essential personalities. It combines various important tathagataBuddhas, into one sculpture. It is predominantly is call Akshobhayavajara which is the form of Akshobhaya buddha.
Guhyasamja is the foremost meditational deity of the Method-father class of Anuttarayoga tantra. Guhyasamaja has two main traditions, the Arya (Nagarjuna) Lineage, and the Jnana (Jnanapada) Lineage.
There are three principal iconographic forms of Guhyasamaja; Akshobhyavajra (blue), Manjuvajra (orange), .
Virudhaka is a major deity in Buddhism. Virudhaka is a symbol of success and progress. Virudhara is the ruler of the wind. His sword is to protect Dharma and also to symbolize power over ignorance.
Virudhaka is the Guardian of the Southern Direction. Virudhaka, leader of the Kumbhanda, is a worldly guardian worshipped as a protector. He lives on the south side of the lower slopes of Mount Meru in the Heaven of the Four .
Mandala life is pleased to provide the service of altering the finishing of the statue, from various colors of
oxidation to silver and gold plating services.
Chocolate color oxidation finishing
Statue of Eakjata
This oxidation is an emulation of copper statues aged more than 100 years. It is the process in which the
statue is given artificial oxidation using chemicals. As the color has not been painted in the statue it does
not wear off easily. .
Gopaka is the Elders who are known as the 15th and 1st arhats from the set of 16 great arhats. Gopaka is also called principal students of the BuddhaShakyamuni.
The Viability of the Gopaka
In this portion, we are going to learn about the Viability of the Gopaka. After that, we are going to learn about the short etymological description of the word Gopaka itself.
Etymology of the Gopaka
The meaning of Gopaka is ne ten, be .
This 18th-century essay drawing is similar in content to the photographic measurements. The so-called "image measurement" is the scale of the Buddha's human body and the scale of the figure.
This may be a reference guide for the painting of Buddha statues in Tibet or Nepal in the 18th century. It contains 36 detailed drawings and the text is in Tibetan.
The representation of the Buddhist figure is not fabricated out of thin air. The proportions, .
Shamarpa Rinpoche was the emanation of Amitabha, the Buddha of Limitless Light: a living example of the appearance of Amitabha in our world in the form of a Mahabodhisattva.
The Tibetan title of Shamar means “the lama of the ruby-red crown”, named after the replica of the Karmapa’s own crown which he bestowed on the Shamarpa. The successive incarnations of the Shamarpas are also known as the “Red Hat Karmapa”.
Birth and Early life
The 14th Shamarpa was born .
Atisha Dipamkara Shrijnana is a renowned Indian master who went to Tibet in 1042 to help in the revival of Buddhism and established the Kadam tradition. His text Light for the Path was the first lam-rim text.
The Pala Dynasty was the ruling Dynasty in Bihar and Bengal India, from the 8th to the 12th century. Called the Palas because all their names ended in Pala, "protector".
Atisha is a Buddhist teacher from the Pala Empire who, along .