Applique Thangkas is Known as göchen thangka in Tibet. The Huns of Central Asia were the first to use applique to decorate saddle blankets. It traveled eastward along the Silk Road, and Tibetans accepted it as a holy art form.
Fabric thangkas were created in the 15th century utilizing an indigenous applique method. These thangkas, which are lavishly embroidered and appliqued, immediately became popular in Tibet.
Because of its excellent quality materials, durability, suppleness, and potential .
The appliquethangka of vajrapani is created using hundreds of hand-cut and embroidered pieces of satin and brocadesilk, stitched together with Mongolian horsetail.
This applique is handmade by following traditional methods of strictly adhering to the proportions of deities as they are laid down in Buddhist scripture.
About the Applique
Vajrapani is revered as the embodiment of power and the keeper of the Buddha's tantricteachings. He was given the mission of vanquishing a monster known .
Guhyasamja is one of Vajrayana Buddhism's most fascinating, difficult, and essential personalities. It combines various important tathagataBuddhas, into one sculpture. It is predominantly is call Akshobhayavajara which is the form of Akshobhaya buddha.
Guhyasamja is the foremost meditational deity of the Method-father class of Anuttarayoga tantra. Guhyasamaja has two main traditions, the Arya (Nagarjuna) Lineage, and the Jnana (Jnanapada) Lineage.
There are three principal iconographic forms of Guhyasamaja; Akshobhyavajra (blue), Manjuvajra (orange), .
Handcrafts are the specialty of the Himalayan people. They spend most time of their day making different types of handcrafted products out of stone, wood, wools, paintings and many more.
Stone Crafts in Nepal dates back to at least two thousand years. Different earpieces, armlets, bracelets, anklets, styles of halos, folds of garments, manners of the sash, and many others are the distinguishing features that classify the variety of artforms found in stone sculptures.