Rahula is the elder of the actual son of the Buddha Shakyamuni and the 10th arhat from the set of 16 Great Arhats. Rahula is known in Buddhist texts for his eagerness for learning and was honored by monks and nuns throughout Buddhist history. The life of the Rahula In this portion, we are going to talk about the life of Rahula. After that short etymological description of the word Rahula itself. Etymology of .
Vajrabhairava with the consort Vajra Vetali surrounded by the main protectors of the Gelugpa School. Vajrabhairava is also called as Yamantaka. He is a meditational deity Ishtadevata of the Anuttarayoga Classification of Buddhist Tantra. As the supreme meditational deity of the Gelug Tradition Vajrabhairava is also looked upon as the Lord or Master. The life of Vajrabhairava In this section, we are going to learn about the life of Vajrabhairava, after the short etymological .
Rolpai Dorje who is known as the 4th Karmapa wearing the black crown and Khacho Wangpoa was the 2nd Shamarpa. The Life of Karmapa Rolpai Dorje In this portion, we are going to learn the life of the Karmapa Rolpai Dorje, after the short etymological description of the word Karmapa Rolpai Dorje itself. Etymology of Rolpai Dorje Rolpaie Dorje (1340- 1383) was the fourth Gyalwa Karmapa. Earlier, we learn about the life of Rolpaie .
Vajravarahi, 5 Deity principal tutelary deity of the Six Dharmas of Naropa. The life of Vajravarahi In this portion, we are going to learn about the life of Vajrabarahi, after that the short description of the word Vajravarahi itself. Etymology of Vajravarahi Vajravarahi is known as Asrdo Rje Phag mo in Tibet. Vajravarahi is one of the most popular female Tantric deities in all traditions of Tibetan Buddhism. Earlier, we learn about the life .
The Thirty-Five Confession Buddhas are known from the Sutra of the Three Heaps,popular in Tibetan Buddhism. Sakyamuni Buddha is together with the two principal students, Shariputra and Maudgalyayana standing at the sides, while surrounded by the Thirty-five Confession Buddhas. The life of Sakyamuni Buddha In this section, we are going to talk about the life of Sakyamuni Buddha, after the short etymological description of the word Sakyamuni Buddha itself, we will learn karma Kagyu .
Tibetan carpet making is a traditional craft. Tibetan people love art and craft. Tibetan carpets are traditionally made from Tibetan highland sheep’s wool, called changpel. Tibetans use the carpet for many purposes ranging from flooring to wall hanging to horse saddles, though the most common use is as a seating carpet. The knotting method used in Tibetan carpet making is different from that used in other carpet-making traditions worldwide. All the carpets are made of organic materials .
There are three general skill levels of thangka painters are hobbyist, professionals, and masters. You can find out the skill of the artist by looking closely at the lines, such as those used to make waves, clouds, and the faces of people, gods, goddesses, and animals. The finer and clearer the lines, the greater the skill involved. A thangka painted by a master will cost more than one painted by a professional. The student .
Sketching is the major work in creating the art. Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the painting around which the artist would plan the rest of the composition. The vertical axis usually marked the center of the main figure, and it was in relation to this line that .
The thangka painter’s palette consisted mainly of paints derived from the mineral pigments . Tibetan artists also made some of their paints by mixing the pigments with organic dyes and lakes such as indigo and lac dye. Important mixtures of this type included the blending of each of these two dyes with white. But since the dyes and lakes were mainly used during the shading and outlining stages that followed the initial application of .
Almost every object depicted in a thangka required outlining or linear detail. Outlining proper (bead) served to set off most objects from their surroundings, and it was used to demarcate the main subdivisions within them. Tibetan painters also used line drawings to develop the form or texture inside a given area, for instance within a swirling mass of flames or within the hair of a deity. Furthermore, fine linear drawings were the main way .