About Golok people

The Golok or Ngolok peoples are groups from Kham and Amdo in eastern Tibet, where their territory is referred in Tibetan as smar kog. They are located around the upper reaches of the Yellow River and the sacred mountain Amne Machin. They are not an homogeneous group but are composed of peoples of very different geographic origins across the Khams and Amdo region. The Golok was a haven for refugees and immigrants from all over the Amdo and Kham and they are an amalgamation of peoples of diverse origin.

Manjushree, the God and the temples

- " of Divine "  whose confers mastery of the , retentive memory, mental perfection, and eloquence. He is one of the of Bodhistawas and symbolizes the wisdom. Manjushree is considered as the founder of Nepalese civilization and the creator of Valley. According to the tradition, he was a Chinese Saint. His intuition told him of the blue flame (symbolizing Adibuddha or Swayamnhu) on a in the big lake of . His purpose to .
Sri Yantra

Yantra, Shri Yantra, mandalas & importance of Shri Yantra

A is usually linked with a particular deity and is used for distinct purposes such as , pujas, , the attraction of and .  Numbers of geometric and images along with from the Yantra. The central point of almost all yantra is , a small red dot. The triangles are also important representing and . The concentric represents the manifestation. Here's what a great meditation , Ivan Rados has .

OM MANI PADME HUM, mantra, mandalas and its importance

is the six-syllable of the Avalokitesvara, known as a and protector from the dangers. It is believed that one who this mantra, will be saved from all dangers and the misery in life. This mantra is widely used in for different purposes from chanting to using them in . The are often found inscribed on rocks, , walls, paths, the approaches and .
Kalachakra Mandala

Kalachakra – Mandala and Stupas around the world

Kalacakra in a Yi-dam( protector) who turns . Kalacakra is the title of a in one of the divisions of the . It is possible that Kalacakra is a personification of that work. Kalacakra is usually as a with four head on each of which is the . He may have twelve or twenty-four arms but never has more than two legs. In his Yi-dam form, he is dark blue. .
Avalokiteshvara

Avalokitesvara and its forms

Among the 108 of Lokeswara Avalokitesvara is one who refuses to accept since he considers such acceptance is selfish in view of the of the great majority of the people who have not yet attained the stage. His sacrifice symbolizes infinite (Karuna), sharing of mankind's misery, willingness to help those in distress. He holds in his hand the indestructible jewel. He is and protector from danger. So his "" .
Sand Mandalas

Sand Mandalas

are the form of . They are the temporary form of . The process of creating and then destroying the has a symbolic importance for practitioners. In the is called Kuktson Kyilkhor, meaning “ of colored sand powder.” In , it describes “cosmogram”, or “world in harmony.” According to , wherever a Sand Mandala is created, all sentient beings and the surrounding environment are . .
Different types of Mandalas

What are the different types of Mandalas?

There are a wide variety of in practice. The use and meaning of each of them depend on the and representations used in the . Online Mandala Editor Before delving further into the topic, especially if you're already acquainted with the concept of and share our passion for it, we suggest exploring the Online Mandala Editor, a user-friendly that allows you to effortlessly design mandalas. It enables seamless replacement, duplication, addition, .
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Categories of Mandala

, a word that means a and represents the wholeness. are recognized generally by concentric circles and probably many other geometric figures. Mandalas are the most admired and discussed symbol in . These are the geometric designs intended to symbolize the , and the link is made to their use in and practices. The word mandala has two parts. The root word is Manda and -la is a suffix .

Rimo in Tibetan art history

The term for drawing is , which is derived from the words ri meaning "mountains" and mo meaning "girl." This term has an interesting and has been passed down through generations of Tibetans. A long ago, in a place called Yarlung in central , there was a nomad family with a shepherd boy named Lukdzi Agar. He used to draw pictures of the scenery he observed on pieces of slate and stones .

Spiritual Objectives of the 4 Heavenly Kings

The have been a staple in for centuries, with two distinct visual : a royal representation in and Southeast and a warrior-like depiction in Central and East Asia. In Korea, the interpretation of these figures has been limited to their title, "," which translates to 'guardians of the world.' , also known as The Historical , has invoked the aid of the Four Heavenly in .