TOP 18 articles about longevity

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Explaining Buddhist Deity Green Tara

is a female and one of the most well-known in women. She is known as an being ready to take action to benefit sentient. The color green represents the wind element. She moves quickly as the wind to help others. The life of the Green In this section, we are going to talk about the life of Green tara, after the short etymological description of the word .

Interpreting Buddha of longevity – White Tara

is known as the female of . White , also called “the Mother of all Buddhas” is the perfect embodiment of graceful power, , and . As with Tara’s expressions in the other five colors, the vibrations of white color express the specific energy of White Tara. The Viability of the White Tara In this portion, we are going to gab about the viability of the White Tara. After that, we .

Explaining Buddhist Elder Vanavasin

Vanavasin the Elder is the 3rd from the set of 16 great arhats. Vanavasin is also known as presides over the Seven Leaves Mountain with four hundred disciples. The life of the Vanavasin In this section, we are going to learn about the life of Vanavasin. And after, we will learn about the short etymological description of the word Vanavasin itself. Etymology of Vanavasin Vanavasin is known as Pag pa Ne ten, nag .
Amitabha Buddha Statue Painted Face

Interpreting Buddha of Immeasurable Life – Amitabha Buddha

is also known as celestial who described in the of the Mahayana school of . is the principal buddha in the sect, a branch of Buddhism practiced mainly in East . According to these Amitabha’s scriptures, Amitabha possesses infinite merits resulting from good deeds over countless past lives as a named Dharmakara. The Viability of Amitabha buddha In this section, we are going to learn about .

Interpreting Ushnishavijaya

Ushnishavijaya with thirty-three deity indicates the Victorious Crown Ornament. She is one of three long-life deities who is very popular in and . The other two deities are and . The  life of the Ushnishavijaya In this section, we are going to learn about the life of the Ushnishavijaya. After that, we will learn the short description of the word Ushnishavijaya itself. Etymology of Ushnishavijaya Ushnishavijaya is known .

Interpreting Parnashavari – Goddess of Natural Healing

Parnashavari is also known as the goddess who protects from a contagious illness. Parnashavari is a deity adopted as a deity of diseases, of which is believed to offer effective protection against outbreaks of epidemics. The life of Parnashavari In this section, we are going to learn about the life of Parnashavari. After that, we will learn the short etymological description if the word Parnashavari itself. Etymology of Parnashavari Parnashavari is .
marichi Thangka

Explaining Goddess of Dawn and Light Marichi

The Goddess of the Dawn is depicted in many different . Sometimes rides a white horse through the sky, banishing the darkness and driving back the night with the orb of the in the outstretched right hand. More commonly Marichi is yellow or red in color, with one, three or more faces and six to twelve arms, seated on a chariot drawn by seven pigs, or horses, removing all obstacles to  .
Mandarava Thangka Painting

Long Life Dakini Mandarava

is also known as The Long Life Mandarava. Mandarava was the virtuous, and beautiful princess daughter of the royal couple in Zahor. Mandarava is also known as, , . She is along with . She is one of the two principal consorts of great 8th century Indian teacher , a founder-figure of , described as a ‘’ by many practitioners. Birth Place of Mandarava Mandarava was .

Sketching – The power of Tibetan paintings

is the major in creating the . Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the around which the would plan the rest of the . The vertical axis usually marked the center of the , and it was in relation to this line that .

Characteristics of Tibetan Art – a psychological and meditational practice

started from the rock in and its subjects ranged from animal images of deer, ox, sheep, horse, etc to hunting scenes. have flourished very well during the period of the Tubo Kingdom. Especially after the installation of in , made a more progress. Introduction to Tibetan Art The heritage of conventional and the fusion of , and Han People’s art essence .