About Thangka

Thangka is an art. A thangka is a Tibetan Buddhist painting on cotton, silk applique, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front.
Thangka is an art. A thangka is a Tibetan Buddhist painting on cotton, silk applique, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front.

Products related to Thangka

Interpreting Yama Dharmaraja Thangka

3
Apr
2020
Art, Himalayan Art, Thangka
is known as the protector of the cycle of . Dharmaraja is also known as Kalarupa. Yama Dharmaraja is a deity protector of the father class of . The Viability of Yama Dharmaraja In this section, we are going to learn about the Viability of the Yama Dharmaraja. After that, we will learn about the short etymological description of the word Yama Dharmaraja itself. Etymology of Yama Dharmaraja Yama Dharmaraja is also .
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Explaining Protective Talisman – The thangka of the Tibetan calendar

1
Apr
2020
Art, Himalayan Art, Thangka
This is the of the . As both an instructional and auspicious talisman the stylized astrological chart brings to all those who see, display, or possess it. The is a congregation of astrological, calendar, and primary element . The Esse of Protective Talisman In this portion, we are going to learn about the Esse of Protective Talisman. After that, we will learn about the short etymological description of the word .
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Shakyamuni buddha Thangka

All you need to know about the types of Thangka Paintings

28
Mar
2020
Art, Himalayan Art, Thangka, Tibetan paintings
The origin of or may be attributed to the Nepalese responsible for creating a number of special metal and wall- as well as in . Realizing the great demand for icons in Tibet, these artists, along with and traders, took with them from not only metal sculptures but also a number of manuscripts. To better fulfill the ever-increasing demand Nepalese artists initiated a .
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5 forms of Manjushri

Depicting 5 Forms of Manjushri Thangka

29
Aug
2019
Art, Deities, Himalayan Art, Manjushri
Wutaishan Mountain in is considered special for the deity/. According to oral and Chinese literature, it was who first talked about the five different of . 5 forms of are represented on each of the five peaks: central and four directions. The Five Manjushri forms are not depicted in a consistent manner. There are many iconographic differences appearing between the various be they central figures or .
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Nyingma refuge tree - Longchen Nyingtik Lineage

Nyingma Lineage tree thangka with explanation chart

22
Aug
2019
Art, Himalayan Art, Thangka, Tibetan paintings
The subject depicted in this is called Guruparampara, a “Line of Teachers.” It depicts the family tree of lineage, as it were, and its function is to indicate a line of descent. The meaning of this presentation is to show a refuge for believers. It creates a kind of structure with a number of deities and teachers in whom devotees take refuge, because they will help believers in the course of their spiritual development.  .
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Determining the Quality of Tibetan Thangkas

20
Dec
2018
Culture, Design, Dharma, Symbols, Tibetan paintings
There are three general skill levels of painters are hobbyist, professionals, and .  You can find out  the skill of the by looking closely at the lines, such as those used to make waves, clouds, and the faces of people, , , and . The finer and clearer the lines, the greater the skill involved. A thangka painted by a master will cost more than one painted by a professional. The student painted .
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Shading, Colouring and Grading of Thangkas and Mandalas

14
Dec
2018
Culture, Design, Dharma, Symbols, Thangka, Tibetan paintings
Another main step is to apply washes for and gradual transitions of tone. Shading is called  in which is one of the special feature of . Shading is an important feature of , taking up a large portion of the , and is done very carefully and precisely. Shading in this context does not mean the treatment of light and within the whole , for the distribution of light and dark is .
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Final Touch and Finishing Details In a Traditional Thangka Paintings

14
Dec
2018
Culture, Design, Dharma, Thangka, Tibetan paintings
Facial Features The last main step involving the application of colours was the rendering of the faces of the . This was in effect the final stage of outlining, and sometimes a painter would step in at this point and complete the of his student. Of all the finishing details, the facial features demanded the most attention, and among these it was the eyes that received the greatest care. The painting of the .
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The Art Of Mastering and outlining of Tibetan Thangkas

13
Dec
2018
Art, Culture, Design, Dharma, Symbols, Tibetan paintings
Almost every object depicted in a required outlining or linear detail. Outlining proper (bead) served to set off most objects from their surroundings, and it was used to demarcate the main subdivisions within them. also used line to develop the form or texture inside a given area, for instance within a swirling mass of flames or within the hair of a deity. Furthermore, fine linear drawings were the main way of .
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The Preparation of the Thangka Painting Surface

30
Nov
2018
Culture, Design, Dharma, Painters, Thangka
Steps for Preparing a Thanka The of pursued their in an orderly and systematic I way. When creating they proceeded through six clearly defined steps: The first step was the preparation of the . Second, came the establishment of a on that surface by means of a sketch or transfer. The third step involved laying down the initial coats of paint, and that was followed by .
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