Guhyasamja is one of Vajrayana Buddhism’s most fascinating, difficult, and essential personalities. It combines various important tathagataBuddhas, into one sculpture. It is predominantly is call Akshobhayavajara which is the form of Akshobhaya buddha. Guhyasamja is the foremost meditational deity of the Method-father class of Anuttarayoga tantra. Guhyasamaja has two main traditions, the Arya (Nagarjuna) Lineage, and the Jnana (Jnanapada) Lineage. There are three principal iconographic forms of Guhyasamaja; Akshobhyavajra (blue), Manjuvajra (orange), and .
Avadhutipa is also known as Maitripa who is an important figure both in Mahayana and Vajrayana Buddhism. It is through him that Maitreya and Asanga’s crucial work on buddha nature, the Uttara Tantra Shastra, became widely followed in Tibet. He also transmitted the esoteric aspect of buddha nature, embodied in the Mahamudrateachings, which treat the topic of mind in great detail and provide a wide range of progressive, highly-refined meditations. The life of .
Gopaka is the Elders who are known as the 15th and 1st arhats from the set of 16 great arhats. Gopaka is also called principal students of the BuddhaShakyamuni. The Viability of the Gopaka In this portion, we are going to learn about the Viability of the Gopaka. After that, we are going to learn about the short etymological description of the word Gopaka itself. Etymology of the Gopaka The meaning of Gopaka .
This 18th-century essay drawing is similar in content to the photographic measurements. The so-called “image measurement” is the scale of the Buddha’s human body and the scale of the figure. This may be a reference guide for the painting of Buddha statues in Tibet or Nepal in the 18th century. It contains 36 detailed drawings and the text is in Tibetan. The representation of the Buddhist figure is not fabricated out of thin air. .