Guhyasamja is one of Vajrayana Buddhism's most fascinating, difficult, and essential personalities. It combines various important tathagataBuddhas, into one sculpture. It is predominantly is call Akshobhayavajara which is the form of Akshobhaya buddha.
Guhyasamja is the foremost meditational deity of the Method-father class of Anuttarayoga tantra. Guhyasamaja has two main traditions, the Arya (Nagarjuna) Lineage, and the Jnana (Jnanapada) Lineage.
There are three principal iconographic forms of Guhyasamaja; Akshobhyavajra (blue), Manjuvajra (orange), .
Gopaka is the Elders who are known as the 15th and 1st arhats from the set of 16 great arhats. Gopaka is also called principal students of the BuddhaShakyamuni.
The Viability of the Gopaka
In this portion, we are going to learn about the Viability of the Gopaka. After that, we are going to learn about the short etymological description of the word Gopaka itself.
Etymology of the Gopaka
The meaning of Gopaka is ne ten, be .
Vairocana is a Buddha who has also known as the embodiment of Dharmakaya and therefore can be seen as the universal aspect of the historical Gautama Buddha. In Sino-Japanese Buddhism, he seems to the embodiment of the Buddhist concept of shunyata or Emptiness. In the fifth Buddhism Conception of Vajrayana Buddhism, he is at the center.
His consort is White Tara. The Vairocana statue in Nara's Todai-Ji which is located in Japan is the largest .
This 18th-century essay drawing is similar in content to the photographic measurements. The so-called "image measurement" is the scale of the Buddha's human body and the scale of the figure.
This may be a reference guide for the painting of Buddha statues in Tibet or Nepal in the 18th century. It contains 36 detailed drawings and the text is in Tibetan.
The representation of the Buddhist figure is not fabricated out of thin air. The proportions, .