The Gelug is the newest of the schools of Tibetan Buddhism. It was founded by Je Tsongkhapa a philosopher and Tibetan religious leader. Gelug Lineage’s field for the Accumulation of Merit with Tsongkapa at the Center is surrounded by the Panchen Lama incarnation lineage above and with meditational deities, Confession Buddhas, arhats and protectors below. In the Gelug Tradition of Tibetan Buddhism, there are numerous Refuge Field composition types distinguished both by the central .
Samantabhadra is known as Universal Worthy is a Bodhisattva in Mahayana Buddhism associated with Buddhist practice and meditation. Samantabhadra is most commonly described as a bodhisattva himself, although some Vajrayana Buddhist traditions, namely the Nyingmapa, regard him as a primordial Buddha in indivisible Yab-yum union with his consort Samantabhadri. The Life of Samantabaadra Buddha In this section, we are going to learn about the life of Samantabhadra Buddha. After that, we will learn the .
Wangdu Nyingpo is known as the Patriarch of the Khon Family the 32nd Sakya Tridzin and also commonly known as the second Padmasambhava of this Age. He was a renowned Tantric practitioner and Terton finder of Revealed Treasure. Wangdu Nying was a Patriarch of the Khon family. The life of Wangdu Nyingpo In this portion, we are going to learn about the life of Wangdu Nyingpo, after that, the short etymological description of the .
Kṣitigarbha is also known as bodhisattva primarily revered in East Asian Buddhism who is usually depicted as a Buddhist monk in the Orient. Ksitigarbha is known for his vow not to achieve Buddhahood until all hells are emptied. Therefore, Ksitigrabha is also regarded as the bodhisattva of hell-beings. The Life of Ksitigarbha In this portion, we are going to learn about the life of Ksitigarbha, after that, we will present the short etymological description .
According to the Gelug and Kagyu schools of Tibetan Buddhism, Vajradhara is also known as the ultimate Primordial Buddha or Adi Buddha. Vajradhara displaced Samantabhadra who remains the Primordial Buddha in the Nyingma or Ancient School and the Sakya school. However, the two are metaphysically equivalent. The Esse of Vajradhara In this portion, we are going to learn about the ease of Vajradhara, after the short etymological description of the word Vajradhara itself. Etymology .
Vajravarahi, 5 Deity principal tutelary deity of the Six Dharmas of Naropa. The life of Vajravarahi In this portion, we are going to learn about the life of Vajrabarahi, after that the short description of the word Vajravarahi itself. Etymology of Vajravarahi Vajravarahi is known as Asrdo Rje Phag mo in Tibet. Vajravarahi is one of the most popular female Tantric deities in all traditions of Tibetan Buddhism. Earlier, we learn about the life .
Tsogyal was the Mother of Tibetan Buddhism. Some sources regard her as a wife of Trisong Detsen, Emperor of Tibet. Her main karma mudra consort was Padmasambhava, a founder-figure of the Nyingma tradition of Tibetan Buddhism. She is known to have revealed terma with Padmasambhava and was also the main scribe for this terma. Later, Yeshe Tsogyal also hid many of Padmasambhava’s terma on her own, under the instructions of Padmasambhava for future generations. .
The subject depicted in this thangka is called Guruparampara, a “Line of Teachers.” It depicts the family tree of Nyingma lineage, as it were, and its function is to indicate a line of descent. The meaning of this presentation is to show a refuge for believers. It creates a kind of structure with a number of deities and teachers in whom devotees take refuge, because they will help believers in the course of their .
Tibetan Buddhism has such a unifying symbol, known variously as a Refuge assembly, Field of Merit, or Refuge Tree. It is known as a Refuge assembly because it is a visualized gathering of figures representing the three Refuges. It is known as a Field of Merit because by visualizing a great array of Enlightened figures and then making offerings to them, and by performing other skillful actions, such as committing oneself to the Bodhisattva .
Sketching is the major work in creating the art. Sketching involved several steps, the first of which was to lay down the main lines of orientation. Most important was the central vertical axis, for this would be the exact center of the painting around which the artist would plan the rest of the composition. The vertical axis usually marked the center of the main figure, and it was in relation to this line that .