Wisdom Dakini Machig Labdron

Wisdom Dakini Machig Labdron

Machig Labdron is a founder of the Cho Tradition of . Machig Labdron was a renowned 11th-century practitioner, teacher, and who originated several Tibetan lineages of the practice of Chod. Machig Labdron may have come from a family and, according to , developed Chod by combining native with the .

Machig Labdron may have come from a Bon family and, according to Namkhai Norbu, developed Chod by combining native shamanism with the Dzogchen teachings.

Machig Labdron is ma gcig lab sgron in .

The iconography of Machig Labdron

In the of Machig Labdron, we are going to learn about her posture, hand and leg gesture, and different representations of Machig Labdron in the .

Machig Labdron is white in color with one face and two hands, she appears as a ‘ ’ with bone ornaments, in the appearance of a – like a heavenly goddess. Machig Labdron is with three eyes, a tiara of gold and jewels, gold earrings, bone ornaments, and hair ribbons. Machig Labdron holds upraised in the right hand a () resounding with the activities of .

In the left hand upturned at the hip is a -handled ringing with the symbolic silence of emptiness. Machig Labdron is supported by the left leg with the right raised up she stands in a dancing posture above a moon disc and multi-colored blossom surrounded by a nimbus and aureole of three concentric spheres of green, pink and yellow light.

Depicting Lama Teacher Machig Labdron Thangka

The thangka of Machig Labdron is from Tibet. The thangka of Machig Labdron is made between 1800 – 1899 AD. Machig Labdron is from Shiche/Chod, (), and Buddhist lineages. The base of the is Mineral Pigment on . Currently, this [painting is in the .

By depicting this thangka, we will earn about the presentation of Machig Labdron with different deities such as Primordial , , , Troma Nagumo, and Tsi’u Map, etc.

Primordial Buddha Vajradhara

Primordial Buddha Vajradhara is at the top center of the thangka. Primordial Buddha Vajradhara is blue in color. Primordial Buddha Vajradhara is accompanied by the Five Symbolic Buddhas.

Prajnaparamita

Prajnaparamita is below the Vajradhara in the thangka. Prajnaparamita is the feminine personification of wisdom. Prajnaparamita is orange in color.

c is with one face and four hands seated peacefully in vajra posture. The first right hand of Prajnaparamita is placed in the ‘ witness’ . And the second upraised holding a gold vajra. The first left hand of Prajnaparamita is placed in the mudra of and the second holds aloft a folio book.

Shakyamuni Buddha

Buddha is Below the  Prajnaparamita in the thangka.  Shakyamuni Buddha is yellow in color ‘like a mountain of gold’. Shakyamuni Buddha is with one face and two hands performing the gestures of ‘earth witness’ with the right and meditation with the left.

Troma Nagmo

Troma Nagmo is at the bottom center of the thangka. Troma Nagumo is the meditational deity. Troma Nagumo is a wrathful form of .

Troma Nagumo is black in color. Troma Nagumo is swinging a human in the right hand and holding a shinbone horn in the left. Troma Nagumo is dancing wildly in a blaze of erratic wisdom .

Tsi’u Marpo

Tsi’u Marpo is on the left side of the thangka. Tsi’u Marp is the . Tsi’u Marpo is indigenous to Tibet and the guardian of Choker Ling.

He is red in color. Tsi’u Marp is in the dress of a warrior with one face and two hands holding a spear and lasso. Tsi’u Marp is riding a red horse and accompanied by a red dog.

Machig Labdron with Guru Kyoton Sonam Lama Thangka

The thangka of Machig Labdron with is from Tibet. This thangka is made between 1800 – 1899 AD. Machig Labdron with Guru Kyoton Sonam is from Shiche/Chod lineages. The size of the painting is 58.42×48.26cm. Ground Mineral Pigment and Fine Gold Line on Cotton is used to color this. presently, this thangka is in the Rubin of .

By depicting this thangka, we will learn about the presentation of Machig Labdron with vignettes.

Guru Kyoton Sonam Lama is at the top left of the thangka. guru Kyoton Sonam Lama is in a two-storied house.

Vignettes

Vignettes are descending along the right and left sides of the thangka. Vignettes are from the biography of Machig portraying early childhood, family, and the pursuit of Dharma teachings. The tradition of Cho, severing the four maras, is practiced to a greater or lesser degree by all the schools of .

Machig Labdron with Orange Prajnaparamita Thangka

The thangka of Machig Labdron with Orange Prajnaparamita is from Eastern Tibet. The thangka is made between 1800 – 1899 AD. Machig Labdron with Orange Prajnaparamita is from Karma (Kagyu) lineages. The size of the painting is 54.61×39.37cm. The base of the painting is Ground Mineral Pigment on Cotton. Currently, this thangka is in the Rubin Museum of Art.

By depicting this thangka, we will learn about the presentation of Machig Labdron with Shadbhuja and Chang Shon.

Orange Prajnaparamita is at the top center of the thangka. Orange Prajnaparamita is known as the feminine personification of wisdom. Orange Prajnaparamita is with one face and four hands seated peacefully in vajra posture.

The first right hand of Orange Prajnaparamita is placed in the ‘earth witness’ mudra. And the second hand of Orange Prajnaparamita is upraised holding a gold vajra. The first left hand of Orange Prajnaparamita is placed in the mudra of meditation and the second holds aloft a folio book.

Shadbhuja Mahakala

Shadbhuja Mahakala is at the bottom left of the thangka. Shadbhuja Mahakala is the wrathful protector. Shadbhuja Mahakala is with one face and six hands. Shadbhuja Mahakala is standing atop the form of Ganesh.

Chang Shon

Chang Shon is at the bottom center of the thangka. Chang Shon is known as the protector. Chang Shon is black in color with one face and two hands riding a black wolf.

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